Lil Baby has finally addressed the long-standing speculation regarding his fractured relationship with former collaborator Gunna, confirming that while the two remain at odds, he intends to keep their grievances private. The comments come as the “Drip Too Hard” artist prepares for the launch of his latest studio album, “Fresh,” which is scheduled for release on Nov. 6. During a recent appearance on The New York Times Popcast, Lil Baby, born Dominique Jones, spoke candidly about the tension that has defined their relationship since the high-profile YSL RICO trial. The rapper explained that while they are no longer on good terms, he believes it is important to maintain a level of public decorum for the sake of their shared fans and their home city. “Whether I like them or they like me, it’s like we all gonna be on that personal vibe,” Lil Baby said during the interview. “We can not like each other but we gonna play it cool for y’all, you know what I’m saying? It’s like an unspoken thing.” The rift between the two stars began following Gunna’s release from jail in late 2022 after he took an Alford plea in the gang conspiracy case involving Young Thug. Many in the hip-hop community, including Lil Baby, appeared to distance themselves from Gunna following the legal maneuver. Lil Baby emphasized that he has no interest in engaging in a public war of words or “clout chasing” through internet drama. Lil Baby noted that both artists hold significant influence in Atlanta and that a public feud would be detrimental to their respective legacies. He said he prefers to handle any standing issues away from the spotlight, stating that if they have a problem, they can handle it in person rather than through social media posts or diss tracks. “I’d rather have that beef or problem personally because we’re… really like the ones who hold it down for the town,” Lil Baby said. He suggested that trading public shots would ultimately make both performers look bad in the eyes of the public. While the rapper’s commitment to civility may prevent a public spectacle, it appears to signal the end of their musical partnership. The duo, once celebrated for their chemistry on the 2018 collaborative project “Drip Harder,” are unlikely to record together again. Lil Baby’s upcoming 17-track album features Future, Young Thug, Rylo Rodriguez, Bally Baby, and Fatt Smaxx.

The New York Police Department is searching for at least two suspects in connection with the fatal shooting of a 15-year-old boy in the Bronx, an incident the victim’s father believes was the violent culmination of a school bullying dispute. Javits Frimpong was walking to school Thursday morning when he was shot in the stomach near East 171st Street and Third Avenue in the Claremont neighborhood. Surveillance footage from the scene shows a harrowing pursuit in which the teenager attempts to run for his life while a figure dressed in black follows closely behind. The victim is seen collapsing in the distance shortly after the gunman stops and turns away. Thomas Frimpong, the boy’s father, said his son had been targeted by a classmate and had repeatedly sought help from school administrators. He said he believes the shooting was a retaliatory act following a report Javits made to the principal, which allegedly resulted in the suspension of two other students. “He’s been telling the principal, he’s been telling the boy is disturbing him,” Thomas Frimpong said. “The school can testify my son is always quiet. Always.” Emergency responders rushed Javits to St. Barnabas Hospital, but he later died from his injuries. The shooting occurred just steps away from Bronx Prep High School and Mott Hall Bronx High School. Witnesses reported seeing as many as three suspects, described as being between 16 and 18 years old, fleeing the scene. The individuals were reportedly wearing all-black clothing and blue surgical masks. Longtime resident Carla Benjamin said the violence on a block frequented by students is heartbreaking. “It just hurt me so much,” Benjamin said, noting that she initially rushed outside to ensure the victim was not one of the many local children she had babysat over the years. As of Friday, no arrests had been made, and the investigation remains active.

Raven-Symoné is addressing the fallout from recent comments regarding the racial identity of her iconic Disney Channel character, Raven Baxter. During a new episode of her podcast, “Tea Time with Raven & Miranda,” the actress sat down with former co-star Kyle Massey to clarify that she has always viewed the Baxter family as Black, despite her previous suggestions that the show’s appeal was “universal.” The controversy stems from an earlier discussion with comedian Kalen Allen, who described the lead character of “That’s So Raven” as being “Black as hell.” At the time, Raven-Symoné drew criticism for questioning that assessment, asking Allen why the character felt Black to him and suggesting that viewers could just as easily imagine the family as “green.” In the latest episode, Raven-Symoné asked Massey, who played her younger brother Cory Baxter, if he understood the point she was trying to make during the initial exchange. Massey did not mince words, jokingly responding, “No, n***a, nobody did.” He explained to the actress that Allen’s comments were intended as a compliment to the show’s cultural impact and the empowerment it provided to Black viewers. Raven-Symoné defended her perspective by emphasizing the broad reach of the sitcom, which aired for four seasons in the early 2000s. She noted that while the family was Black, the themes of the show allowed people from all different backgrounds and countries to see themselves in the characters. “You had people from every country watching a Black family, but they saw themselves in that family, which means we were universal,” she said during the podcast. View this post on Instagram The actress also took the opportunity to reaffirm her place in television history, noting she has never denied the importance of her identity. She told Massey that she stands on the “pillar” of being the first Black female to have a television series named after her. She quipped that she never claimed to be the first “green” female lead in history. The clarification comes after months of social media pushback from fans who argued that the character’s Blackness was central to the show’s identity and success. To lighten the mood during the episode, Raven-Symoné’s wife and co-host, Miranda Pearman-Maday, even dressed as a “Green Raven” for Halloween, poking fun at the viral debate. Ultimately, Raven-Symoné said she wants to celebrate the show’s ability to transcend cultural boundaries without erasing the specific cultural representation it provided. Through four seasons and a modern spin-off, the Baxter family remains one of the most recognizable portrayals of a Black family in Disney Channel history.

Dame Dash is making it clear that he will not be in attendance when his former business partner, Jay-Z, takes the stage for the Super Bowl LXI halftime show next year. In a candid interview with “The Art of Dialogue,” Dash stated he has no interest in a reunion at SoFi Stadium, even going as far as to warn the hip-hop mogul not to reach out with an invitation. Dash, who co-founded the legendary Roc-A-Fella label alongside Jay-Z and Kareem “Biggs” Burke, was vocal about his lack of enthusiasm for the upcoming performance. “I’m not going. Don’t even call me for the Super Bowl,” Dash said during the interview. He added that he has zero desire to participate in or witness the event, which is scheduled to take place on February 14, 2027. While Jay-Z has yet to announce his guest lineup, Dash predicted that the rapper will almost certainly be joined by his wife, Beyoncé. However, Dash expressed skepticism regarding whether the performance can live up to the high standards set by previous halftime shows. Specifically, he referenced Dr. Dre’s 2022 performance, which brought together a heavy-hitting roster including Snoop Dogg, Mary J. Blige, Eminem and Kendrick Lamar. Dame Dash Says He Wants No Part of JAY-Z’s Super Bowl Plans: Dash questioned if Jay-Z could command the stage with the same impact, noting that Dr. Dre “brought out the whole team” to ensure a successful spectacle. The executive also speculated that the upcoming show could serve as a defining moment for Jay-Z’s legacy, suggesting that a lackluster performance might negatively influence how the public perceives the mogul’s current cultural relevance. The critique extended beyond the Super Bowl stage as Dash compared Jay-Z’s live draw to that of Kanye West. Dash argued that West has demonstrated an ability to sell out stadium venues through raw fan enthusiasm, whereas he believes Jay-Z relies more heavily on corporate backing. He noted a perceived difference in audience energy, suggesting that West’s recent performances have outshined Jay-Z’s recent appearances. Jay-Z’s Roc Nation has played a pivotal role in producing the NFL’s annual halftime show since 2019, but this will mark the first time the “4:44” rapper headlines the event himself. Despite the tension from Dash, the announcement has generated significant buzz within the music industry as fans wait to see which collaborators will join the Brooklyn native on stage in Inglewood. For Dash, the stance appears to be a continuation of a long-standing rift between the two former partners. View this post on Instagram

A Delaware judge has ordered R&B singer Faith Evans to pay more than $12.5 million to the trust of her late mother-in-law, Voletta Wallace, following a protracted legal battle over the royalties and legacy of the Notorious B.I.G. The ruling, issued Tuesday by Judge Kathaleen St. J. McCormick, concludes that Evans must turnover $12,518,336 in withheld catalog proceeds. The dispute centered on Notorious B.I.G. LLC, a company Evans and the elder Wallace founded in 2007 to manage the professional assets of the legendary rapper, born Christopher Wallace, who was murdered in 1997. Voletta Wallace died in 2025 at the age of 72, leaving her estate to the Voletta Wallace Revocable Trust. The legal conflict began when Wayne Barrow, the rapper’s former manager and executor of the estate, sued Evans for failing to recognize the trust’s membership in the LLC and withholding distributions. Evans had filed a motion attempting to limit the payout to just $48,612, arguing that the trust was not a formal member of the company for several months following Wallace’s death. However, McCormick rejected that figure, ruling that the trust was entitled to all distributions owed since the time of Wallace’s passing. “The Trust is entitled to distributions made as of the date of Ms. Wallace’s death,” McCormick wrote in the decision. Faith Evans Ordered to Pay $12.5 Million to Biggie Smalls Mother Trust: The judge also ordered that prejudgment interest be added to the total amount, compounded quarterly, to account for the delay in payment. The legal battle has also exposed deep rifts within the family. Christopher Jordan Wallace, the son of Evans and the late rapper, recently challenged his grandmother’s will. He alleged the document was modified only 15 days before her death to remove him as a beneficiary. Evans had previously used these family disputes as a reason to delay payments to the trust. Despite the internal family strife, the court maintained that the LLC agreement required the distributions to be paid to the estate’s legal successor. The $12.5 million judgment represents a significant portion of the ongoing earnings from the Notorious B.I.G.’s musical catalog and brand ventures. Attorneys for Evans have not yet commented on whether they plan to appeal the multimillion-dollar judgment. The ruling marks a major milestone in the decades-long effort to manage the posthumous career of one of hip-hop’s most influential figures.

Beyoncé opted to fully self-fund her luxury haircare line, Cécred, after potential investors expressed skepticism over her extensive research and development budget. Tina Knowles, the singer’s mother and a longtime hair stylist, revealed that the decision to forgo outside capital was driven by Beyoncé’s refusal to compromise on the scientific integrity of the products. While the original business plan included seeking venture capital, the high costs associated with the brand’s “scientific innovation” proved to be a sticking point for traditional investors. “As a Black founder, it was important to me to concentrate on where I saw the greatest need for healthy haircare and to place scientific innovation and product performance above all else,” Beyoncé said regarding the brand’s philosophy. Tina Knowles Says Beyoncé Self-Funded Cécred: The 35-time Grammy winner launched the brand in 2024 following several years of intensive testing and formulation. Knowles noted that investors “didn’t like” the significant portion of the budget dedicated to clinical research, prompting the singer to utilize her own wealth to maintain total creative and structural control. The focus of the development was specifically tailored toward textured hair, though the brand was designed to provide moisture and strength for all hair types. By prioritizing results over immediate profit margins, Beyoncé aimed to fill a gap in the luxury market that often overlooks the specific biological needs of diverse hair textures. The move highlights a growing trend among high-profile celebrities who are increasingly choosing self-funding to avoid the constraints of corporate oversight. By retaining 100% ownership, Beyoncé ensured that the long-term vision for Cécred remained focused on hair health rather than meeting quarterly projections set by outside stakeholders. Cécred has since expanded its global footprint, leaning heavily on the “science-first” marketing that initially deterred institutional backing. Knowles added that the success of the line serves as a testament to her daughter’s commitment to quality over convenience. The brand’s journey from a years-long endeavor to a market staple continues to influence how celebrity-led beauty ventures approach research and development in an increasingly crowded industry.

Tyler Perry has requested a Los Angeles court to prevent private text messages from being disclosed to the public as he continues to fight a $77 million sexual assault lawsuit. The motion, filed Thursday, alleges that Perry provided these communications to his accuser, Mario Rodriguez, under an explicit agreement of confidentiality. Perry contends that the release of these messages would cause “unnecessary embarrassment” and infringe upon the privacy of third-party associates who are not involved in the litigation. Rodriguez, an actor who appeared as “Frat Guy #10” in the 2016 film “Boo! A Madea Halloween,” filed the lawsuit in December 2025. He alleges that Perry made numerous unwanted sexual advances between 2014 and 2019, including an incident where Perry allegedly grabbed his genitals while they were watching a movie at Perry’s home. According to court documents, Perry argues that the text messages in question include discussions regarding financial agreements and personal matters. The filmmaker stated that he and his associates operated under the assumption that these exchanges were private. He is now seeking a court order to limit how Rodriguez can use or share the material outside of the legal proceedings. Perry has steadfastly denied the allegations, with his attorney, Alex Spiro, characterizing the lawsuit as a “failed money grab.” Spiro said the claims have no basis in fact or law. The defense has argued that Rodriguez frequently solicited Perry for financial assistance—including funds for a car and medical bills—and only turned to litigation after the filmmaker stopped providing support. Rodriguez has countered that the friendly tone of the text messages should not be used to discredit his claims. He said that survivors of abuse often remain cordial with those who have influence over their careers and financial stability, especially when they feel vulnerable or desperate. The lawsuit seeks at least $77 million in damages, citing claims of sexual battery, sexual assault and intentional infliction of emotional distress. The court must now determine if the latest batch of discovery evidence will remain under seal or be made available to the public.

Golden State Warriors star Steph Curry took to social media Tuesday to celebrate his wife, Ayesha Curry, following the announcement of her starring role in the upcoming Roku Original romantic comedy, “Second Chance Holiday.” The four-time NBA champion praised his wife of 15 years in a post on X, formerly Twitter, expressing his pride in her latest professional milestone. “My Leading Lady,” Curry wrote to his followers. “I get to see the work behind the scenes and now the world gets to see you shine and this is just the beginning.” The film, which is scheduled to begin streaming on The Roku Channel on Thursday, Nov. 5, features Ayesha Curry as Chelsey, a professional dating expert who believes she is cursed in love. The plot follows Chelsey as she navigates a pattern of being dumped every holiday season, leading her to wonder if fate is attempting to reunite her with a high school sweetheart, played by co-star Matthew Daddario. Ayesha Curry is no stranger to the screen, having built a steady acting portfolio alongside her work as a lifestyle mogul and cookbook author. Her previous credits include the Netflix film “Irish Wish,” the animated sports comedy “GOAT” and an early career appearance on the Disney Channel hit “Hannah Montana.” My Leading Lady. I get to see the work behind the scenes and now the world gets to see you shine and this is just the beginning… https://t.co/EcEvYL2N8N — Stephen Curry (@StephenCurry30) October 27, 2026 Beyond her acting career, she continues to oversee her Sweet July wellness and skincare brand. The couple, who married in 2011 and share four children, have frequently used their platforms to support one another’s individual business ventures and philanthropic efforts. Roku’s announcement of “Second Chance Holiday” marks the latest addition to the platform’s expanding library of original seasonal programming. The film aims to capture the traditional holiday movie audience while highlighting Ayesha Curry’s transition into leading lady roles. Industry analysts said the public support from one of basketball’s most recognizable figures provides a significant marketing boost for the streaming project. Fans can access the movie for free on the Roku platform starting next week.

Jay-Z and J. Cole, have submitted formal letters of support to a federal judge on behalf of rapper Lil Durk as he seeks pretrial release. The letters were sent to U.S. District Judge Michael W. Fitzgerald ahead of a high-stakes bond hearing scheduled for early next month. Lil Durk, born Durk Banks, is currently fighting for his freedom while awaiting a second trial on racketeering charges. Although the Chicago-born artist was recently acquitted of all charges in a high-profile murder-for-hire trial last month, he remains in federal custody. His legal team is now leveraging the support of music industry titans to convince the court that he is not a flight risk. In his letter to the court, Jay-Z, born Shawn Carter, praised Banks for his professional discipline and his commitment to his community. Carter said he found the rapper to be kind and respectful when they met several years ago, noting that Banks used his success to provide opportunities for others. View this post on Instagram “Durk was signing young artists from his community to recording contracts and giving them a real path into a legitimate industry,” Carter wrote. He added that Banks understood the limited options available in high-risk neighborhoods and worked to help others find a way out rather than leaving them behind. J. Cole also provided a personal testimonial, focusing on the collaborative process behind their Grammy-winning 2023 hit “All My Life.” The North Carolina rapper said the song’s message of peace and personal growth was a testament to Banks’ maturity. Cole said the artist fought for the positive direction of the track even when it went against the instincts of more veteran collaborators. Defense attorneys Brian Steel and Drew Findling have proposed an aggressive bond package to secure the rapper’s release. The proposal includes collateral consisting of all of Banks’ future royalties, touring income, and rights to his name, image, and likeness. The attorneys said this ensures that if he were to violate bond, he and his family would be left “penniless.” Banks was originally arrested in late 2024 in connection with a 2022 shooting at a Los Angeles gas station. While a jury found him not guilty of the murder-for-hire plot involving rival rapper Quando Rondo, he still faces a count under the federal Violent Crimes in Aid of Racketeering Activity (VICAR) statute. The prosecution, which has previously labeled Banks a flight risk, continues to oppose his release. A bond review hearing is currently set for Nov. 4, while the racketeering trial is scheduled to begin in August of next year.

Former NBA star and Los Angeles Lakers champion Lamar Odom announced Tuesday he is launching a new career on OnlyFans, promising subscribers a glimpse into a side of his life that has remained off-camera for years. The move makes Odom the first major NBA figure to join the platform, which has increasingly become a space for celebrities to monetize exclusive content. The 46-year-old athlete joined the subscription-based service alongside his girlfriend, Rachel Bradley, a Los Angeles real estate professional. Odom’s profile is currently available to subscribers for an introductory rate of $3.25 for the first month, followed by a standard monthly fee of $13. “You’ve seen me on the court. You’ve seen me on TV. Now get to know the REAL me,” Odom wrote in his official site biography. He described the new venture as a way to be more personal and playful, suggesting that despite his public history, he still has stories to share. While OnlyFans is often associated with adult entertainment, Odom told TMZ that he wants to challenge those immediate assumptions. He said he has lived a wild life and noted that while he has always been an “open book,” there are still chapters of his life that the public has not seen yet. The content will reportedly be risqué but he is not planning anything too extreme. However, reports suggest that Odom and Bradley may collaborate on joint content for their respective pages in the near future. Bradley, who also set her subscription price at $13 per month, describes herself on her page as a lover of fashion and travel. Her profile promises a mix of mystery and lifestyle content, complementing Odom’s pivot into the digital creator space. Odom, who won two championships with the Lakers and previously starred in his own reality television series, has remained a fixture in the public eye through various personal and professional transitions.