Meek Mill turned his X timeline into a living archive this week, using a string of posts to revisit moments from North Philadelphia that shaped him long before success entered the picture. Each memory he shared carried the weight of someone who has seen the complexities of his neighborhood up close. I will never forget the 3 card molly oldhead caught me for my whole bankroll like $400 going shopping for clothes! He was waiting exactly where the bus let you off on market … he had 5 actors with him! I was like 13, all grown men no sympathy shit lol yal crazy for dat! lol — MeekMill (@MeekMill) December 10, 2025 One of the first stories he offered reached back to when he was thirteen. He described heading out to buy clothes, only to lose everything he had saved. “I will never forget the 3 card molly oldhead caught me for my whole bankroll like $400 going shopping for clothes,” Meek wrote. He explained how the man operated near the Market Street bus stop, choosing that spot to catch kids as they arrived. According to Meek, it wasn’t a one-man setup—“He had five actors with him,” he said, noting how coordinated the scam was. The man was familiar to residents because he stayed in their hallway and was allowed there for doing small chores. We let this man live in our hallway out north Philly apt in trade for butler service ….. his name was “Nelson” they even killed him …. the cops caught his killer on the spot and let everyone trash him with cuffs on… rip to “Nelson” 32nd and ceil b Moore #meekchronicles — MeekMill (@MeekMill) December 10, 2025 Meek remembered him by name: “His name was Nelson.” He went on to say that Nelson was eventually killed, and that police captured the suspected shooter quickly enough for neighbors to release long-held frustration. “Rip to Nelson N 32nd St and Cecil B Moore Ave,” he added. Meek then shifted further into the neighborhood’s past, mentioning 18th and Berks and pointing out that boxer Tevin Farmer also came from that block. But the mood darkened again as he recalled a horrific tragedy near 18th and Norris. “On 18th and Norris a whole family got killed by a fire bomb like 3am women kids and men like 6 to 8 people,” he wrote. He connected that event to his own experience years later, sharing, “Then my house caught on fire years after. I couldnt stop smelling fire for 5 years.” He ended the thread by inviting local students to learn the area’s real history directly: “Jump in the car with me. Especially if you a Temple University student and live near 18th and Berks. A lil history lol.”

The ongoing rivalry between 21 Savage and Tekashi 6ix9ine has once again drawn attention within the hip-hop world. The most recent exchange unfolded during 21 Savage’s conversation on Perspektives With Bank. He discussed his new album, What Happened To The Streets?, and offered pointed commentary on 6ix9ine. 21 Savage framed 6ix9ine as an example of how social media can rapidly elevate and diminish careers. “The rat boy who was wearing lace fronts and st,” he said, referencing 6ix9ine’s controversial persona. He added that 6ix9ine’s trajectory—from prominence to near-obscurity—illustrates how public perception can shift quickly. “Ain’t no gas in the car, n*a, what you mean he just stopped?” 6ix9ine responded on Instagram with a comedic skit shared by Kurrco, portraying himself as the “King of England.” The skit parodied 21 Savage’s UK background while engaging with past comments on immigration. In the video, the 21 Savage impersonator jokes, “I know Jay-Z. I can call Jay-Z. I’m begging you, I’ll do anything. You can have my chain,” highlighting the pressures artists face to assert influence and maintain credibility. 6ix9ine responds to 21 Savage dissing him on Big Bank’s podcast: “next time you say the ‘mexican’ justsay my name because the Mexicans would smack the f*ck out u @/21savage you bloody wanker ” pic.twitter.com/sB9rE8SY5d — Kurrco (@Kurrco) December 12, 2025 The Feud’s Context As the sketch progresses, 6ix9ine declares that 21 Savage will never obtain U.S. citizenship. He mixes humor with pointed commentary on cultural identity. The exchange demonstrates 6ix9ine’s use of parody to reassert his public persona, even as it fuels the ongoing public feud. The tension between the two artists has been building for years. There are repeated barbs about personal histories and professional trajectories. Lately, 6ix9ine has directed criticism toward 21 Savage’s Atlanta roots. This reflects a broader pattern in which he challenges artists linked to the city’s hip-hop scene. In a recent interview with DJ Vlad, 6ix9ine joked about plans to “marry Latto” to secure a green card. This reinforces his reputation for provocative statements. Combined with the ongoing back-and-forth with 21 Savage, it is clear that this public feud is far from resolved.

Miguel’s return to the spotlight with his new album Caos marks the end of an eight-year stretch without a full-length release, but he’s already setting his sights on what comes next. The singer revealed in a recent Genius interview that another completed album is sitting in the vault, and he believes it surpasses the one he just dropped. When asked whether fans should expect another long pause between albums, he responded immediately: “No.” He went on to share that the unreleased music is “better” than Caos, and that if he had the power to move freely, fans would already have a release date. “If it was up to me, I’d put another album out before the tour starts,” he explained. However, Miguel says label restrictions are holding everything up. Because of contractual terms with RCA Records, he isn’t allowed to release new music until late next year. Although he acknowledges there are people at RCA who “understand and want to do the right thing,” he believes the structure of his current deal is fundamentally flawed. “I would sooner release it independently than to allow them to pick up the deal without it being a fair deal,” he said. “And it’s not a fair deal, and I’m happy to go on record about that.” For Miguel, the conflict is part of a broader industry pattern he no longer wants to accommodate. He has ownership of his intellectual property, and the next phase of his career, he says, needs to be centered on independence. “There’s absolutely things that need to happen that I would prefer to happen as an independent artist,” he added. Looking ahead, he hopes to use the next decade to uplift other creatives. “My next 10 [years] is me really taking what I’ve learned and hopefully educating and stewarding other artists,” he said. Releasing Caos after so many years stirred emotions he hadn’t expected. “It’s been such a long time since I put music out that I forgot how you can never explain or expect all of the emotion,” he shared. The response from his peers has been overwhelming. “I’ve gotten more notes about this album … than I’ve ever gotten for any of my projects,” he said. “It’s been really, really dope, and it’s a really endearing and reassuring thing.”

Michael B. Jordan is shifting gears creatively these days, but while directing has taken over most of his schedule, it’s also made him reflect on what he wants beyond his career. In a new conversation with David Letterman for the upcoming season of My Next Guest Needs No Introduction with David Letterman, the actor talked about how predictable his routine has become during this phase of his life. “My life is boring,” he joked, explaining that the demands of directing tend to keep him locked into long stretches of work with very little room for spontaneity. Letterman teased him in return, saying that if Jordan thinks his world is dull, he should “follow me around,” before sharing the everyday rhythms of his own married life—errands, dogs, grocery runs, even a mission to buy celery. Jordan laughed at the comparison but admitted that the workload leaves limited space for anything outside of film. Even so, he revealed he’s been thinking more about what starting a family might look like. Without rushing into anything, the 38-year-old said he’s considering easing into the idea of fatherhood. He explained it with humor, outlining a personal starter plan before taking that leap. “I figure I got to start off with like plants and dogs,” he said. Building on that thought, he added, “If I can take care of a plant, I can take care of the dog. If the dog’s cool, then I have a shot.” The interview gives fans a candid glimpse of Jordan at a moment where his career is evolving, and he’s imagining long-term life changes beyond the screen. Viewers can catch the full episode when it premieres on Netflix on December 16th.

Nicki Minaj used a recent Twitter Spaces session to address the backlash over her political remarks, a recurring point of tension between the rapper and parts of her fanbase. Days earlier, she set off a fresh round of debate after posting “Trumps > Chumps” on Twitter/X alongside a photo of 50 Cent. The message spread quickly across social platforms, sparking commentary far outside her usual online orbit. Even Vice President JD Vance entered the conversation, adding, “Nicki > Cardi.” The reaction among Minaj’s supporters was immediate and split, prompting her to speak directly to fans during the livestream. She made clear she wasn’t trying to shape anyone’s politics or personal choices. “Let me make this very clear, I don’t give a f*ck,” she said, according to Bo Loudon. She told listeners that the changes in their own lives happened without her direction. “Pink lady ain’t up in your business, pink lady loves you for you. Pink lady doesn’t tell you what to think, pink lady loves you in spite of what you think.” BREAKING: Queen of Rap @NICKIMINAJ just told her anti-Trump fans she still “loves” them “in spite of what [they] think.” God bless Nicki for not caving and continuing to support President Trump! pic.twitter.com/EAUvUdQ7Ud — Bo Loudon (@BoLoudon) December 11, 2025 Past Political Commentary Minaj’s political commentary has repeatedly stirred debate. Last month, she shared a TikTok video from The White House that highlighted what it framed as accomplishments of the Trump administration, including statements such as “No men in women’s sports” and “Gas prices are low.” The post added to an already heated discussion among her followers. Shortly before that, she reacted to a clip of former President Trump and First Lady Melania with a playful message: “The President & First Lady of the UNITED STATES OF AMERICA!!!!!!!!!!!!!!!!!!!!!!!!!!! Barbz, idk which one of you uploaded this to the white house TikTok but just know unlimited backstage GAG CITY FOR LIFE. Idk what timeline we’re on right now, I’m just goin w|the flow.” Minaj’s blunt approach to politics continues to divide her audience, ensuring every comment draws both applause and criticism. Her voice remains a potent force at the intersection of celebrity and political culture, and the conversations she sparks show little sign of quieting anytime soon.

Michael Oberlies, Sean “Diddy” Combs’ longtime personal videographer, has addressed the swirling rumors surrounding Netflix’s Sean Combs: The Reckoning. Produced by 50 Cent, the four-part series has captured widespread attention. It features interviews with figures from Diddy’s past, including members of his inner circle and alleged victims. It also includes previously unreleased footage of the music mogul speaking with his attorney, Marc Agnifilo, shortly before his arrest. The appearance of this unseen material prompted speculation about its origins. Some suggest it arose from a “fee dispute or contract issue.” Oberlies, however, clarified that the controversy occurred during his temporary absence from work. He emphasized that it was not tied to any contractual disagreement. Speaking to Rolling Stone, Oberlies said, “For over two years, we have been diligently compiling a project centered around Sean ‘Diddy’ Combs. The footage in question was not authorized by me or anyone within the rightful channels handling his material. It was instead shared through a third party who temporarily filled in for me while I was out of state. This incident is unrelated to any alleged contract issues or payment disputes. The behavior of those involved reflects poorly on the standard of integrity that every storyteller should uphold. Utilizing footage meant for our project to forge an agenda outside our own signifies not just ethical breaches but also a disregard for our essential narrative.” Diddy’s Reaction to the Docuseries After the series debuted, Diddy’s team publicly criticized the production, calling it a “shameful hit piece.” They emphasized that the footage had never been authorized for public release. They also stressed Diddy’s years of careful work to preserve his own narrative. The statement framed Netflix’s use of the material as unfair and unlawful, portraying it as a violation of his intellectual property rights. Netflix, for its part, defended the series. They asserted that all footage was obtained legally and that standard industry practices were followed throughout production.

The arrival of 50 Cent’s Netflix docuseries Sean Combs: The Reckoning has triggered an unexpected resurgence in both his own catalog and Diddy’s decades-long musical footprint. The four-part series, released earlier this month, has found a wide audience. With it, there is a notable rise in listeners revisiting 50 Cent’s early work. Data from Hip Hop All Day shows that December 9 became the most streamed day of 50 Cent’s career. His music tallied 11.3 million plays across major platforms. His breakthrough album Get Rich or Die Tryin’ drove much of that traffic, reaching its highest daily total in years. The surge offers a clear illustration. A widely viewed documentary can rekindle interest in an artist’s past work. It can also reshape listening patterns almost overnight. Online reactions captured the shift in real time. One fan remarked, “Haha that documentary coming in clutch,” while another speculated that the renewed attention might be an unwelcome development for Diddy, considering the documentary’s focus. For 50 Cent, the moment adds to a long-running pattern of blending media projects with broader cultural conversations. 50 Cent earned his BIGGEST streaming day of all-time on Spotify on December 9th, with 11.3M streams across all credits ‘Get Rich Or Die Tryin’ also reached a new all time peak of daily streams. pic.twitter.com/bRoiVeypvP — Hip Hop All Day (@HipHopAllDay) December 10, 2025 Diddy Pushes Back In the days after the docuseries premiered, Diddy’s legal team issued a forceful response. They accused the filmmakers of misrepresentation and called the project a “shameful hit piece.” A representative for Combs insisted that he has spent years gathering footage to tell his story on his own terms. They argued that Netflix relied on material he never cleared for release. 50 Cent has rejected the idea that he shaped the documentary with personal motives. In an interview with GQ, he said, “There’s no place for me, I didn’t make the docuseries. I got the best possible people to make one.” He added that had he wanted to steer the narrative, he “would have been more focused” on Combs’ ongoing legal troubles. Appearing on Sherri Shepherd’s daytime show, 50 Cent hinted that even more footage exists. These clips, he suggested, could shed new light on past figures within New York hip-hop and potentially on Diddy himself. Whether that material ever comes to light is unknown. However, the suggestion has already deepened the public debate surrounding the documentary and its impact.

50 Cent tells Sherri Shepherd he already has plans for the unreleased footage of Sean “Diddy” Combs from the #1 Netflix documentary Sean Combs: The Reckoning. The television and music mogul hit The Sherri Shepherd Show on December 10 to celebrate the chaos he’s stirred with Sean Combs: The Reckoning, the explosive four-part Netflix documentary he executive-produced. The series hasn’t just taken over the platform—it’s sitting at No. 1 and bulldozing everything in its path. “He has a baby by a woman that was dating 2Pac.” 50 Cent reveals he still has more unreleased footage that wasn’t included in his Netflix Diddy documentary, and says he’s considering releasing it on YouTube. ( Sherri/YouTube) pic.twitter.com/sl1dCpl0Y2 — The Art Of Dialogue (@ArtOfDialogue_) December 10, 2025 Sherri Shepherd opened the segment with the kind of applause 50 knows well. She saluted the mogul for holding the top spot on Netflix, telling him the doc is “outperforming everything” on the service. When she asked if he expected the series to be this dominant, 50 barely blinked. “I expected it to be bigger,” he said. “It’s actually exceeded my expectations now. Stranger Things is a huge show, and it’s outperforming Stranger Things on Netflix.” 50 Cent Tells Sherri Shepherd He Plans To Drop The Unreleased Diddy Footage On YouTube Shepherd didn’t waste time diving into what fans really want to know: the vault. She pointed out how much raw, personal footage of Diddy made the final cut and asked the question hanging over social media all week: Is there more? “This is a lot of the personal footage of Diddy. It shocked a lot of people,” she said. “And I know, 50, the way you run, this cannot be all you have. Is there other stuff that you just have not shown?” 50 confirmed what many assumed—there’s a mountain of footage sitting on the cutting room floor. “Yeah, well, everything couldn’t make—it’s only four episodes,” he explained. “So it’s a lot, you had to pick and choose things.” He even teased sections that got trimmed, including the part “where he chose to date people who he knows previously dated someone,” adding, “He has a baby by someone who was dating Tupac to add to it. But we had to cut it down.” Then Shepherd went straight for the headline: “I know next year is going to be a number-two… Season 2?” 50 responded with a smirk only he could deliver: “Or just put it on YouTube.” If that’s the plan, Diddy’s reckoning may only be entering its next chapter—and 50 Cent looks ready to push the story even further.

Sean “Diddy” Combs is escalating his dispute with Netflix following the debut of Sean Combs: The Reckoning. This docuseries was executive-produced by 50 Cent. His team has condemned the project as a “shameful hit piece,” arguing that the filmmakers relied on footage he never approved for release. With the series circulating for just over a week, those close to Diddy say he is preparing an aggressive legal counter. He wants to regain control over how his story is being presented. Reports from outlets including Media Take Out suggest that Diddy and his family are considering a sweeping defamation lawsuit that seeks $1 billion in damages. People familiar with the discussions say the amount could grow if Netflix does not address several claims featured in the series. “This documentary was crafted not as a piece of journalism but as an attack on his character,” an insider said. They characterized the clash as deeply personal for the artist. In a statement provided earlier to The Hollywood Reporter, Diddy’s representatives laid out their objections to Netflix’s handling of the series. “Netflix’s so-called ‘documentary’ is a blatant attempt to harm Mr. Combs’ reputation. The teaser featured on GMA highlights the fact that Netflix relied on appropriated footage. This footage was never authorized for public disclosure. Since he was just 19, Mr. Combs has been gathering material to narrate his own story. It is not only fundamentally unjust but also illegal for Netflix to exploit that content.” The Stakes of Reputation Diddy’s legal team also criticized Netflix for collaborating with Curtis “50 Cent” Jackson. This is a figure whose public rivalry with the mogul has stretched on for years. “It is both incredible and disheartening that Netflix granted creative rein to an individual who harbors a personal vendetta,” they wrote. They argued that the streaming giant allowed long-standing tensions to shape a project that demanded neutrality. Their statement highlighted Diddy’s respect for Netflix’s chief executive, Ted Sarandos. It also mentioned his admiration for the legacy of Sarandos’ late father-in-law, Clarence Avant. For Combs, permitting a longtime adversary to frame his life story represents a rupture of trust. “At the very least, he anticipated impartiality from those he esteemed,” the statement concluded. It emphasized that the dispute is as much about stewardship of his narrative as it is about reputation.

In a recent sit-down on Club Shay Shay, The Game reignited long-running debates about Compton’s musical hierarchy. He asserted that he stands alone at its peak. Speaking with host Shannon Sharpe, he delivered the claim with certainty: “I’m definitely the best rapper from Compton,” he said. He extended that self-assessment across the entire West Coast with equal force. He grounded his assertion in what he considers a rare combination of technical agility and lived experience. “Can’t nobody out rap me man. Anyone who knows will know,” he said. He emphasized the mix of craft and authenticity he believes defines his work. To drive the point home, he added, “I’m the best rapper in this town.” This declaration spread swiftly once the clip circulated online. The moment gained traction after DJ Akademiks shared it on Instagram and immediately drew Kendrick Lamar into the discussion. Fans responded with passion and divided loyalties. Some championed Lamar’s legacy, others sided with The Game, and many tried to appreciate both. One commenter spoke to Kendrick’s broader appeal, writing, “Kendrick is the best and music will last forever with real things being said not just name calls.” Another suggested that while The Game’s claim has merit, Lamar’s influence remains firmly part of the city’s identity. View this post on Instagram The Game Reflects on His Past and Documentary 3 The conversation also moved beyond competitive claims. The Game discussed his upbringing in Compton, recalling the instability of his early years. This included time spent in jail and reflecting on complicated alliances with figures such as 50 Cent and Kanye West. His willingness to revisit those chapters added contour to the interview. It suggested that his artistry and ambition are rooted in experiences that continue to shape him. He also provided an update on Documentary 3, his next studio album. In earlier conversations with Big Boy and The Cruz Show, he spoke about the project’s evolution following the release of Every Movie Needs A Trailer. “I wanted to give fans fresh music this year while preparing for the release of Documentary 3. I went in and knocked out these 19 tracks with Mike & Keys,” he said. He explained the urgency behind the recording process. He anticipates releasing the album early next year, a timeline that has fueled anticipation among longtime listeners.