Young Thug addresses rumors surrounding his sexuality. During a recent interview, Thug makes it clear that he don’t have no problem with gay men, however, he’s straight. “I’m straight women. Ain’t nothing going down with no man.” This isn’t the first time Thug addressed those speculations. In a 2019 interview with Big Boy’s Neighborhood, he made it clear that assumptions about him being gay were inaccurate. “People judge me and say ‘gay,’” he explained. “If people think that I’m gay, they’ve already misjudged. I’m the straightest man in the world. I’ve been with way more women than a lot of other straight guys.” View this post on Instagram A post shared by HOLLYWOOD UNLOCKED (@hollywoodunlocked) Young Thug dropped his highly anticipated project “UY SCUTI.” The project is Thug’s first full-length body of work since his release from jail in late 2024, marking a major comeback moment for the Atlanta rap star. Originally set to arrive on September 19, the album was delayed by a week out of respect for Cardi B’s release, Am I the Drama?. Thug revealed that he named the album after UY Scuti, a red supergiant star considered one of the largest known in the universe. The title, he explained, symbolizes the scale of his return and his enduring impact on hip-hop. UY SCUTI features 20 tracks and boasts an impressive lineup of guest artists, including Future, Cardi B, 21 Savage, Lil Baby, T.I., Ken Carson, Sexyy Red, and Mariah The Scientist.

Young Thug and YFN Lucci have reunited creatively on their latest albums, UY Scuti and Already Legend, marking a meaningful chapter in a relationship shaped by both collaboration and past tension. Thug’s appearance on Lucci’s project signals a renewed camaraderie, demonstrating a willingness to move beyond previous conflicts and channel shared experiences into art. In a recent interview, Lucci reflected on the intentions behind their partnership. “First off, we’ve been through a lot,” he said, acknowledging hardships both artists have faced. “Everyone has lost someone; we lost people. The most critical thing we lost is time—time away from our families. So, coming home, it’s like, damn, what can we do? Are we just going to continue down a path that leads to more pain, or are we going to take a stand and make things right for Atlanta?” His words convey a deliberate effort to reconcile past missteps while prioritizing growth and accountability. Lucci’s resolve extends to their music. “Let’s just do it. Some fans might be upset, while others will be thrilled. But at the end of the day, we must face the consequences of our actions,” he said, emphasizing responsibility amid public scrutiny. Their collaboration is thus more than a creative venture; it is a shared statement of intent and personal evolution. Young Thug and YFN Lucci Turn Personal Strife Into Music Young Thug’s recent tracks similarly grapple with fractured relationships. On “Dreams Rarely Do Come True,” he interrogates loyalty: “Why would I shed tears over someone I handed over to Gunna’s law enforcement connections?” In “Sad Slime,” he explores betrayal and loss: “I witnessed my brother turn rat right before my eyes / I’ve been crying all day.” These candid revelations have sparked conversation across social media, particularly around recently leaked recordings of his discussions with law enforcement. Together, Young Thug and YFN Lucci illustrate how music can serve as both expression and catharsis. Their collaboration transforms personal trials into art, reflecting a commitment to growth, accountability, and reconciliation. Beyond the melodies and lyrics, their work underscores music’s enduring power to entertain, heal, and offer space for reflection—and, ultimately, redemption.

With BIA’s debut album BIANCA set to drop next month, the hip-hop world is buzzing with anticipation. Tensions escalated last week when Cardi B released her long-awaited sophomore album, Am I The Drama? This reignited a simmering feud between the two artists. On her new record, Cardi navigates vulnerability and sharp-tongued defiance, particularly on the track “Pretty & Petty,” where she directs pointed lines at BIA. One lyric has already gone viral: “Name five BIA songs, gun pointin’ to your head.” The line has sparked debate over whether Cardi is asserting dominance or unnecessarily fanning the flames of conflict. In the days following the release, Cardi addressed the tension in a recent interview, framing her response as a personal matter tied to her children. “You mentioned my kids tryna be cute,” she said of BIA’s earlier remarks. “Her diss was lackluster… but I couldn’t let it slide, especially with everything that goes viral on social media.” For Cardi, it was about setting a precedent rather than scoring points. “When my kids grow up and hear that someone mentioned them, they’re going to ask, ‘What happened?’ I want them to see I stood my ground.” BIA Leans on Promotion, Turning Feud Into Spotlight BIA has taken a different approach, focusing on promotion rather than direct confrontation. In a recent Instagram post, she highlighted her upcoming BIANCA, scheduled for October 10. She also sent a playful rebuttal, “I got 16 more songs u can name .” The post signals confidence and a refusal to be overshadowed, even as the feud simmers online. The exchanges highlight a recurring tension in hip-hop. Competition often blurs the line between personal and professional. With two major releases arriving within weeks, both Cardi B and BIA stand to gain from the heightened attention. Their rivalry continues to play out in the public eye.

Cam’ron forced boxer Adrien Broner off his podcast, It Is What It Is, after a string of inappropriate remarks aimed at co-host Treasure “Stat Baby” Wilson. The clash, broadcast in real time, drew quick attention online and laid bare the tension between friendship and professional boundaries. In the days that followed, Broner tried to mend fences. He posted a screenshot of a text to Cam’ron on Instagram, offering an apology that struck both contrition and familiarity. “Big bra as a man, I can truly apologize my n**a,” Broner wrote. “I fck with you heavy gang fck all that internet sht… I hope there ain’t no bad blood between us… I’d love for you to be a part of this next chapter in my life.” Cam’ron’s response carried a tone of reconciliation. “Thx for that bro. Cause I feel the same. I love you like a brother. And I’m here for whatever you need.” His reply hinted that while the episode left a mark, the bond between them was not entirely broken. The Exchange on Air Tension flared when Broner repeatedly commented on Wilson’s appearance despite earlier warnings from Cam’ron. After saying she looked “good in person,” Broner tried to walk it back, adding, “I love you. I’m sorry. My bad y’all.” Cam’ron, clearly irritated, ended the moment decisively. “I asked you the first time… But you can’t violate, bro,” he said, instructing Broner to leave the set. Later, Cam’ron vented his frustration, calling Broner a “f*cking junkie” and stressing that his invitation was meant only to boost the show’s energy. “I just needed you for entertainment for the show,” he said, pointing to the abrupt unraveling of the episode. The fallout captured the fragile balance public figures often walk when mixing friendship with work. For Cam’ron, removing Broner was as much about protecting his platform as enforcing respect. For Broner, the apology signaled a willingness to repair what could have been a lasting rupture.

Lecrae stopped by HOT 97 to talk to Nessa about his brand new album Reconstruction. They discuss the hardest parts of fatherhood, what moments made him feel like he was doing a good job, and whether his kids really understand his music and message. He also reacts to Kendrick Lamar name-dropping him on “Watch the Party Die,” how he felt about that, and why he almost didn’t record the song because he didn’t want to come off as a clout chaser. They also dive into his growth over 10 albums, how this one reflects scars, lessons, and reaching “OG status,” and his past struggles with seeking validation from other artists. Lecrae shares his cringe moment meeting J. Cole, a heartfelt conversation with Will Smith, and even the time Snoop kicked him out of a party. He talks about new collaborations with Miles Minnick, a memorable dinner at E-40’s house with Tupac stories, and hints at appearing in a Tyler Perry film. Stream Reconstruction now.

Bad Bunny has reportedly received a “credible death threat” during his recent residency in Puerto Rico, sparking heightened security concerns and federal involvement. According to reports, the threat was made online and authorities believe the suspect behind it was armed. While it remains unclear if the individual has been detained, reports indicate that both local law enforcement and federal authorities, including the FBI, were on-site during the concerts to ensure the safety of the artist and attendees. Bad Bunny, born Benito Antonio Martínez Ocasio, recently wrapped his 31-show residency, No Me Quiero Ir de Aquí, held between July 11 and September 20 at San Juan’s José Miguel Agrelot Coliseum. The residency was hailed as historic, drawing tens of thousands of fans and solidifying the reggaeton and trap star’s deep cultural ties to Puerto Rico. Despite the threat, the shows continued as scheduled, with no reported incidents disrupting the performances. Fans have expressed both concern and admiration on social media, praising the artist for moving forward with the residency despite potential risks. At the time of reporting, neither Bad Bunny nor his management team have issued a public statement regarding the threats.

In a candid conversation with Elle Magazine, A$AP Rocky reflected on mental health, music, and family while promoting his latest project, Highest 2 Lowest, a collaboration with director Spike Lee and actor Denzel Washington. The discussion blended skepticism with introspection, as Rocky questioned traditional therapy and explored how art can function as a means of emotional expression. Rocky highlighted how audiences often look to artists for guidance, likening Jay-Z to a therapist. “I think Jay-Z is a Black therapist. A lot of people come to him with their problems,” he said. His observation underscores how fans often turn to music not just for entertainment but as a way to process struggles, treating artists as emotional touchstones in their lives. Discussing Highest 2 Lowest, Rocky described the film as akin to an “anxiety attack” and expressed skepticism about conventional therapy. “My outlook on therapy is so pessimistic, it’s not even funny… I compare therapists to psychics. If you haven’t shared the same experiences, how can they genuinely help?” His remarks signal a critique of clinical approaches while emphasizing the importance of shared experience in meaningful support. Fatherhood and Family The conversation shifted to his personal life, with Rocky sharing excitement over expanding his family with Rihanna. Anticipating their third child, he admitted, “I hope it’s a girl. I really do. This pregnancy is so different from the other two. I feel like it’s going to be a girl. I need that.” The comment revealed a rare vulnerability, showing a softer side of the rapper beyond his public persona. Shortly after the interview, Rihanna confirmed the birth of their daughter, Rocki Irish Mayers, on Instagram, posting photos celebrating the family. Rocky paid tribute as well, referring to Rihanna and their newborn as “MY LIL LADIES.” Rocky’s reflections illuminate how artists navigate wellness, identity, and familial responsibility under public scrutiny. By linking creativity with emotional exploration and sharing his experience of impending fatherhood, he fosters a conversation that resonates beyond celebrity culture, where vulnerability and artistry intersect in profound ways.

Tory Lanez has asked a federal court to shield him from further involvement in the defamation lawsuit Megan Thee Stallion filed against commentator Milagro Gramz. Megan contends that Gramz spread falsehoods about the 2020 shooting that led to Lanez’s conviction. The case has drawn national attention as it unfolds in California. On September 24, Lanez’s attorneys filed a motion for a protective order. They argued that his participation would place an undue burden on him. The filing stated, “Daystar Peterson (‘Mr. Peterson’), by counsel, respectfully moves for a Protective Order under Federal Rule of Civil Procedure 26(c).” His legal team stressed that Lanez is a non-party in Pete v. Cooper (No. 1:24-cv-24228, Southern District of Florida). They warned that further testimony could prejudice his pending criminal appeal while raising constitutional concerns over his rights. The motion added, “For the foregoing reasons, Mr. Peterson respectfully requests that the Court grant his Motion for Protective Order, barring improper non-party deposition or, alternatively, limiting discovery consistent with the Federal Rules, Ninth Circuit precedent, and constitutional protections.” Lanez’s lawyers also argued that others named in the case—including DJ Akademiks and Caesar McDowell—did not face the same level of scrutiny during their depositions. That, they suggested, pointed to unequal treatment. The decision on Lanez’s request now rests with the court. Expanding Legal Battle Megan Thee Stallion’s defamation suit has widened its reach. DJ Akademiks has been ordered to testify and to reveal the source of a leaked DNA report tied to the case. Adin Ross, another online personality, attempted to avoid a deposition but has so far been unsuccessful. Lanez’s own legal issues remain close at hand. Last August, a judge ordered him to sit for a second deposition. His first appearance was described as uncooperative and disrespectful toward Megan’s attorneys. Taken together, the lawsuit and Lanez’s appeal highlight the increasingly blurred line between criminal accountability, media influence, and celebrity culture. As the court considers his motion for protection, the outcome carries implications for both the artists involved and the wider industry watching from the sidelines. View this post on Instagram A post shared by XXL (@xxl)

Metro Boomin has been cleared of all allegations in a civil lawsuit filed by Vanessa LeMaistre, who had claimed he exploited her during a 2016 encounter. The Los Angeles court formally dismissed the case this week, ending a high-profile legal dispute that had drawn attention from both the music industry and the public. During the trial’s opening statements, LeMaistre’s attorneys argued that her use of Xanax and alcohol at Metro Boomin’s studio left her vulnerable. Metro Boomin denied the allegations, maintaining that their interactions were consensual. The court ultimately found no merit in the claims, ruling in the producer’s favor on all counts. Young Thug attended the proceedings on Wednesday in a show of support for his longtime collaborator. Speaking with Rolling Stone reporter Nancy Dillon, he said, “I’m just here to support him. He’s a longtime friend.” His presence highlighted the deep personal networks within the hip-hop community, where professional collaborations often overlap with enduring friendships. The trial had become contentious on its first day, when LeMaistre’s lawyers requested a mistrial, claiming that Metro Boomin’s defense improperly referenced a supposed prior sexual encounter between the parties—a claim she denied. Her attorneys contended that, without advance notice, they were unable to respond during opening statements. As they told the court, “If plaintiff’s counsel had received appropriate notice and a hearing was conducted, the assertion that plaintiff engaged in consensual sex with the defendant before the alleged assault would have been barred.” Young Thug’s Album Amid Parallel Legal Challenges While offering support to Metro Boomin, Young Thug is preparing for the release of his new album, UY Scuti, set for Friday, September 26. This project marks his first since his release following the YSL RICO case, with rumors of a collaboration with YFN Lucci generating added anticipation. Thug is also facing legal scrutiny of his own, as Georgia prosecutors appeal a ruling that allowed him to reclaim millions in assets previously seized, including luxury vehicles, cash, and jewelry.

Congratulations are in order! Rihanna and A$AP Rocky have officially expanded their family, welcoming their first daughter, Rocki Irish Mayers, on September 13, 2025. The mogul shared the joyful news on Instagram, posting a photo cradling her newborn alongside a pair of tiny pink gloves. She captioned the moment: “Rocki Irish Mayers Sept 13 2025.” Rocki is the couple’s third child, joining her big brothers, RZA, born in 2022, and Riot Rose, born in 2023. While Rihanna and A$AP Rocky have remained relatively private about their children, each announcement has captured worldwide attention, highlighting the balance they strike between family life and their careers. The couple revealed they were expecting their third child earlier this year at the 2025 Met Gala, where Rihanna proudly showed off her baby bump in one of the night’s most talked-about looks. The name “Rocki” appears to be a nod to her father’s moniker, A$AP Rocky, while “Irish” reflects Rihanna’s appreciation for unique and meaningful middle names—similar to her sons’ distinctive names. True to her fashion-forward reputation, Rihanna marked the occasion wearing a $7,950 Renato Cipullo yellow-gold “R” pendant, symbolizing both her own name and her daughter’s. View this post on Instagram A post shared by HOLLYWOOD UNLOCKED (@hollywoodunlocked)