Ray J is opening up about the painful reality of missing his son’s birthday and not spending the holiday with his children. The “One Wish” singer and reality TV star is currently unable to have contact with two kids, Melody, 7 and Epik, 5, due to an extended no-contact restraining order involving his estranged wife, Princess Love. The order stemmed from Ray J’s arrest last month after an incident in which he allegedly pointed a gun at Princess during a Thanksgiving livestream.  Ray J was released on $50,000 bail and has denied aiming a weapon at her. With Christmas and the New Year approaching, Ray J says the situation feels especially unfair. The Shade Room shared a video where “Wait A Minute” reacted emotionally when asked about missing time with his kids. “Man, I don’t even want to talk about it,” he said. “I’m missing my kids. I’m missing Christmas, my son’s birthday.” In addition to missing Christmas, he will also be unable to see Epik for his upcoming sixth birthday. The tension between the former couple spilled online during a livestream. Princess confronted her estranged husband in an emotional exchange. In a reaction video, she urged him to seek professional help. “Check yourself into rehab, because you’re more than drunk,” Princess said at the time. “Everything I do, I do for my kids.” Ray J and Princess Love announced their fourth attempt at divorce last year.

A$AP Rocky is headlining Amazon Music’s live docu-performance series, Songline, to pay tribute to A$AP Yams and perform songs from Don’t Be Dumb. The livestream is expected to kick off at 9 p.m. EST and 6 p.m. PT. It will be available to view on Amazon Music, Prime Video, and Twitch.”A$AP Rocky returns to the stage to perform his new album Don’t Be Dumb in a special tribute to A$AP Yams, marking eleven years since his passing,” says Amazon Music’s website. The surprise news came Saturday (Jan.17) after A$AP Rocky shared a teaser of the event on his Instagram Story. The reel was also shared on Amazon Music’s official Instagram page. “The city’s watching. A$AP Rocky livestream, 9pm ET | 6pm PT,” the post’s caption reads. View this post on Instagram A$AP Rocky Clarifies Reported Drake Diss In other news, A$AP Rocky responds to claims that he’s dissing Drake on his new project. Following the release of his long-awaited album Don’t Be Dumb, fans quickly zeroed in on a track titled “Stole Ya Flow,” with many interpreting certain lyrics as a possible shot at the Toronto rapper. However, Rocky has now made it clear that the song was not intended as a diss. In a recent interview, the Harlem rapper explained that “Stole Ya Flow” isn’t about Drake specifically. On the track Rocky raps, ““First you stole my flow, so I stole yo’ btch,” and “N***s getting BBLs, lucky we don’t body shame / Throwing dirt on Rocky name, turn around and copy game.” When asked if it can be confirmed he was dissing Drake, Rocky explained, “It’s for whoever feels like it’s about them.”

Julio Iglesias, the internationally known singer whose career has spanned decades, is facing serious legal allegations. These allegations arose after two former domestic employees accused him of sexual assault and human trafficking. The complaint was submitted earlier this month to Spain’s National Court Prosecutor’s Office. This is according to a January 13 statement from Women’s Link Worldwide, a global human rights organization. The case has ignited renewed debate about power, accountability, and the vulnerability of domestic workers employed by wealthy public figures. The allegations stem from events said to have occurred in 2021 at Iglesias’ private residences in the Dominican Republic and the Bahamas. According to the filing, the women describe conditions involving coercion, forced labor, and repeated violations of sexual autonomy. Moreover, the complaint also details allegations of sexual harassment during their employment. It paints a picture of prolonged control exercised behind closed doors. The two accusers, identified as Laura and Rebeca to protect their identities, say they endured intimidation and psychological pressure while working in Iglesias’ homes. Laura said she chose to come forward to prevent similar harm to others. She explained, “My goal is to ensure that no woman ever endures this kind of abuse from him again.” She added that survivors should not be made to carry shame for speaking publicly about their experiences. View this post on Instagram A call for accountability and equal justice Rebeca framed her decision in terms of accountability rather than retaliation. “I am doing this to get justice,” she said. She stressed that wealth or celebrity should not place anyone beyond legal consequence. Her statement reflects a broader call for equal treatment under the law, regardless of status. Women’s Link Worldwide said the accusations should be examined within a wider pattern of labor exploitation that disproportionately affects domestic workers. The organization’s executive director, Jovana Ríos Cisneros, described the claims as evidence of “systemic structures of oppression and abuse.” She added that sexual violence often intersects with economic inequality and social marginalization. Ana Rebollar, deputy director of Amnesty International Spain, echoed those concerns, calling violence against domestic workers a persistent human rights issue. She warned that existing protections remain insufficient, leaving workers exposed to abuse in private households. Meanwhile, Iglesias has not publicly addressed the allegations, and requests for comment from his representatives have reportedly gone unanswered.

50 Cent is moving a long-gestating idea in Shreveport closer to reality, signaling a decisive moment for the city’s entertainment ambitions. Through G-Unit Film & Television Louisiana, LLC, Jackson has laid out a redevelopment proposal valued at more than $124 million, aimed at repositioning Northwest Louisiana as a serious player in film, television, and live events. The initiative centers on reviving existing properties while introducing large-scale venues designed to attract productions and touring acts. If realized, it would rank among the most significant private entertainment investments the region has seen. According to reports, the plan is built around restoring underused facilities and expanding Louisiana’s capacity to host film, television, and digital media projects. Developers also envision the city as a destination for marquee events rather than a secondary market. State officials have framed the effort as part of a broader strategy to keep creative industries from migrating elsewhere. For Shreveport, the proposal carries a promise that includes adding more than 50 jobs in the creative sector. An independent economic impact study commissioned by G-Unit projects the development could generate as much as $18.8 billion over time. The report estimates more than 6,000 jobs statewide, with roughly $300 million in wages paid over the next two decades. While such projections are inherently speculative, they have played a central role in securing public-sector participation. With 50 Cent’s backing, analysts note the scope places the project among Louisiana’s most ambitious entertainment-driven ventures. Governor Jeff Landry welcomed the proposal in a formal message, presenting it as a signal of Louisiana’s evolving business climate. He tied the initiative to his administration’s efforts to attract private investment and expand the state’s creative economy. Support from the governor’s office adds momentum to a project relying heavily on long-term public and private cooperation. For local leaders, the endorsement helps legitimize the scale of the undertaking. A Three-Site Plan to Anchor Growth The redevelopment strategy focuses on three key locations in Shreveport, each serving a different purpose within the broader vision. One phase calls for retrofitting the former Stageworks facility to accommodate live performances and production work. Another involves modernizing Millennium Studios to meet current film and television standards. Together, these steps aim to increase capacity without abandoning existing infrastructure and leverage more than 50 million in investments. The most ambitious element is a proposed dome-style immersive venue paired with a public green space. Planners say the site is designed to draw visitors while hosting large-scale entertainment experiences. City officials see the venue as a potential anchor for sustained tourism and economic activity. Its long-term success, however, will depend on consistent programming and outside demand. 50 Cent has described the project as a personal commitment rather than a speculative gamble. “This initiative embodies the long-term promise I made to the City of Shreveport and the State of Louisiana,” he said. He emphasized job creation, the arrival of new productions, and the goal of encouraging entertainment companies to establish permanent roots in the region. He distilled the ambition into a familiar refrain: “All Roads Lead to Shreveport.” Public Funding and Oversight G-Unit Film & Television has steadily expanded its presence in the Shreveport-Bossier area, aligning its plans with Louisiana’s broader film strategy. The state’s role comes through a Cooperative Endeavor Agreement with Louisiana Economic Development. The agreement allows for up to $50 million in performance-based funding tied to qualifying infrastructure and modernization projects. Those funds are contingent on specific benchmarks, including economic outcomes, timelines, and partnerships with local businesses. To oversee the public investment, the Shreveport Film & Entertainment Economic Development Corporation has been established. The board includes LED Secretary Susan B. Bourgeois alongside appointees from state leadership. Its mandate is to monitor compliance, ensure transparency, and guide implementation as the project unfolds. For both state and city officials, the structure is intended to balance ambition with accountability. If successful, 50 Cent’s Shreveport initiative could offer a model for how mid-sized cities compete in an increasingly crowded entertainment landscape. The plan blends private capital with public backing at a moment when states are aggressively courting productions. For Shreveport, where economic changes can feel slow, the stakes extend beyond headlines to long-term positioning. Whether the promise meets the projection will be measured over years, not announcements.

Sean “Diddy” Combs has formally petitioned President Donald Trump for clemency through a written letter, The New York Times reports. In a recent two-hour interview, Trump confirmed he received the correspondence. However, he indicated he does not intend to grant the pardon. While rumors of such a request had circulated, Thursday’s acknowledgment marks the first official confirmation. Diddy, 56, is currently serving a 50-month sentence related to prostitution charges. The appeal has sparked public curiosity, especially given Trump’s history of high-profile pardons. These include those granted to individuals involved in the January 6 Capitol events. Former Honduran president Orlando Hernandez, sentenced to 45 years for drug trafficking, was also pardoned. Trump confirmed the request, stating, “He asked me for a pardon,” and noted that the letter exists. However, he chose not to release it. Despite Diddy’s formal appeal, the president remains firm in his decision. View this post on Instagram Trump and Diddy: From Friends to Foes The relationship between Trump and Diddy has been complicated. Before Trump’s 2015 presidential campaign, they shared a friendly rapport. Over time, that changed. In a 2025 interview with Newsmax, Trump reflected, “I was very friendly with him… seemed like a nice guy,” adding that Diddy later became “very hostile” as Trump pursued political office. Last October, speaking from the Oval Office, Trump referenced the mogul as “Puff Daddy” while criticizing his public opposition during Trump’s 2020 re-election campaign. He noted Diddy’s calls for accountability and his push for Trump’s removal.

After more than a decade behind bars, Max B has returned to public life, emerging from a legal saga that reshaped both his sentence and his legacy. Originally sentenced to 75 years for a botched robbery, his conviction was later vacated. In 2016, he accepted a plea deal for aggravated manslaughter, reducing his term to 20 years and allowing for an early release. His return has reignited interest in both his music and the events that kept him incarcerated for so long. Freedom, however, has brought renewed scrutiny. Speculation around Max B’s plea deal and alleged cooperation with authorities has persisted. On the Dog In The Yard podcast, he addressed the rumors directly, asserting that accepting a plea does not necessarily implicate co-defendants. “Public perception can often diverge from reality,” he said, emphasizing that the truth of his choices is distinct from the chatter surrounding them. The Ja Rule Rumor In November, online chatter suggested that Max B and his entourage had confronted fellow rapper Ja Rule outside a New York restaurant. Ja Rule quickly disputed the claims on social media, directly responding to influencer Tasha K: “Tasha, why you lying to these good people? Yes, some cowardly individuals attempted to jump me. But it wasn’t at Sei Less, and I’m just chilling, smoking a joint, with not a scratch on me.” His statement left little doubt about his side of the story. Max B also addressed the incident himself on X, emphasizing distance from the controversy. “Do not tie me or my people to anything negative,” he wrote, signaling his intent to focus on moving forward rather than revisiting past conflicts. His brief but pointed message underscored a new awareness of how quickly rumors can shape public perception. Now back in the public eye, Max B appears determined to channel his experiences into music and creativity. He has framed this period as an opportunity to reflect, grow, and redefine his public identity.

Grammy-winning artist Megan Thee Stallion continues to command attention. She does so not only for her music but also for her high-profile legal disputes. Known for her bold performances and magnetic stage presence, she remains a defining figure in contemporary culture. Megan’s legal team, led by Roberts & Klein, has intensified efforts to reinstate a key ruling in her ongoing case against Milagro Gramz. Last month, Gramz was found liable for defamation, intentional infliction of emotional distress, and unlawfully distributing altered sexual imagery involving Megan. Yet, Judge Cecilia M. Altonaga later reversed the defamation ruling. This prompted Megan’s attorneys to respond decisively. As reported by AllHipHop, Clare Locke LLP—now representing Megan—has formally requested to present additional arguments in court. They argue that Florida’s retraction statute should not apply to Gramz. She identified herself as an “entertainer” rather than a journalist during testimony. This distinction, they contend, is central to her defense against claims of neutrality in the events in question. Megan Faces Legal Battles While Challenging the Limits of Defamation Law Clare Locke’s filings emphasize the broader consequences of applying the statute in this case. They suggest that such enforcement could compel victims of defamation to endure additional public scrutiny before seeking justice. This could potentially deter others from pursuing legal recourse. Megan is also contending with a separate legal matter. Tory Lanez, convicted for shooting her in 2022, has announced plans to appeal his ten-year prison sentence. Lanez maintains his innocence in an NBC News interview, asserting, “I believe not only that I was wrongfully convicted but also that the new evidence emerging since that trial has been overwhelming.” Despite these legal challenges, Megan continues to assert her voice both on stage and in court. Her dual commitment to advocacy and artistry highlights the intersection of creative expression and the pursuit of justice. This reinforces her influence as a prominent figure in music and broader cultural conversations.

Teyana Taylor and Aaron Pierre have reportedly ended their year-long relationship, according to sources who spoke with Page Six. This development follows a wave of online speculation regarding their breakup, leaving fans and followers eager to understand the reasons behind their separation. While the specific reasons for their split remain undisclosed, insiders indicate that both artists are opting to pursue individual paths. Taylor is currently in the limelight after receiving a Golden Globe nomination for Best Supporting Actress for her role in One Battle After Another. In parallel, Pierre is preparing for prominent roles in Star Wars: Starfighter, alongside Ryan Gosling, and in DC Studios and HBO’s upcoming series, Lanterns. The couple first attracted public interest at the Fifteen Percent Pledge Gala in Los Angeles in early 2025. Their relationship quickly gained traction through appearances at notable events such as the Vanity Fair Oscar party and promotional activities for Taylor’s album, Escape Room. Fans were particularly excited when Pierre featured in the album trailer, where they shared an intimate on-screen kiss. In June, Taylor celebrated Pierre’s 31st birthday with a touching tribute on social media, reminiscing about their shared experiences. Their closeness was apparent; Pierre co-starred in a short film linked to Taylor’s album and was actively supportive during her promotional events. View this post on Instagram Taylor and Pierre’s Year-Long Romance Ends Their bond was often visible at industry gatherings like the BET Awards. Taylor openly discussed Pierre’s gentle demeanor, describing how safe and valued he made her feel. In turn, Pierre expressed his admiration for her by saying, “I’m sure everybody knows this, but I’ve got to say it, Teyana is really one of one.” Their coordinated style choices at public appearances further underscored their strong connection. Despite attending the London premiere of Taylor’s latest film together, it seems that their relationship has come to an end. Previously married to NBA player Iman Shumpert from 2016 until 2024, Taylor has frequently highlighted companionship and security as crucial elements in her romantic life. In an interview with The Hollywood Reporter, she affectionately referred to Pierre as “my apple pie,” illustrating the warmth of their relationship while acknowledging the complexities involved in defining it: “If that’s something that I decide to say, then it’s going to be something that we say together.”

Boxing legend Terence “Bud” Crawford is facing a new legal battle just days after announcing his retirement from the sport. A New York jeweler has filed a civil lawsuit seeking at least $1.5 million in damages, accusing Crawford of failing to follow through on a promotional deal tied to luxury goods. Disputed Promotion Deal The lawsuit was filed Thursday in Manhattan Civil Court by Mazza New York, a retailer that specializes in high-end jewelry and custom pieces. Court documents allege Crawford visited the store in February 2024 and expressed interest in a $139,000 Patek Philippe Aquanaut watch. The complaint says Crawford proposed paying $35,000 upfront and covering the remainder by promoting the Mazza brand on his fight trunks.  Mazza claims it agreed to the arrangement, provided the watch, and expected the boxer’s team to display the store’s logo during his bouts. But the jeweler says the first effort went awry during Crawford’s August 2024 fight against Israil Madrimov. According to the suit, the logo “had completely fallen off” by the fourth round. The complaint alleges Crawford’s representatives acknowledged the mistake and promised to fix the issue for his next major fight. But when Crawford squared off against Canelo Alvarez in September, the jeweler says the logo never appeared — despite months of coordination and delivery of both physical and digital branding materials. Mazza estimates the lost exposure from the Alvarez fight was worth roughly $1.5 million, comparing the missed visibility to premium advertising during marquee sporting events. The lawsuit claims breach of contract, conversion and unjust enrichment.  Crawford’s Retirement and Reaction Crawford, 38, retired this week with a perfect 42-0 record. In a social media video announcing his decision, he said he was “walking away as a great with nothing else left to prove.” A representative for Crawford did not immediately respond to a request for comment Friday. It was not clear whether Crawford plans to contest the allegations or reach a settlement. Attorneys for Mazza New York argue that the deal provided valuable material consideration — including a discounted watch and promotional opportunity tied to one of boxing’s biggest names. They say the company met its commitments, even flying staff to Las Vegas ahead of the Alvarez bout. The lawsuit seeks repayment of the watch, currently valued at more than $155,000, as well as compensation for lost promotional value.  The legal action adds an unexpected twist to Crawford’s post-career plans. The retired champion is widely regarded as one of boxing’s greatest fighters, and his final years in the sport drew international attention. Yet the lawsuit shines a spotlight on the industry’s commercial side, where promotional deals and contract terms can carry hefty financial stakes.

Sean “Diddy” Combs is navigating a complex legal landscape while serving time following his conviction for transporting individuals for prostitution. As part of April Lampros’ civil lawsuit, the music mogul is slated to provide a videotaped deposition from Fort Dix, New Jersey. This testimony is central to Lampros’ claims, which include allegations of sexual assault, coercion, and abuse of authority. Court documents indicate the deposition is scheduled for January 26, pending approval from prison officials. Lampros alleges that Diddy assaulted her multiple times during the 1990s and issued threats intended to prevent her from speaking publicly. Coordinating the deposition requires extensive clearance for legal personnel. These include attorneys, court reporters, and videographers. Legal representatives are also examining past business arrangements, such as the disputed transfer of ownership interest involving Bad Boy Records co-founder Kirk Burrowes in 1996. Noncompliance with deposition requirements could lead to sanctions. This would further complicate Diddy’s legal position. Serving Time and Program Participation Diddy is currently serving four years and two months in federal custody, marking a critical juncture in a highly publicized trial. It scrutinized both his personal and commercial conduct. While incarcerated, he is enrolled in the Bureau of Prisons’ Residential Drug Abuse Program. This could make him eligible for early release. These circumstances add logistical challenges to his ongoing civil obligations, including the scheduled deposition. Amid the legal proceedings, Netflix released Sean Combs: The Reckoning, a documentary produced by 50 Cent that examines allegations against the mogul. Diddy’s legal team has publicly criticized the series as a “malicious hit piece,” asserting that it misuses unauthorized footage. They claim it misrepresents events gathered over the years. In statements to The Hollywood Reporter, representatives emphasized that the portrayal is both legally and factually flawed. They call the narrative “unfair” and lacking context.