Kanye West is once again navigating legal challenges. This time, attention is focused on his 2022 project, Donda 2, which has drawn scrutiny from copyright holders over the use of a particular track. Billboard reports that West is facing a federal copyright infringement lawsuit for allegedly sampling soul singer Sam Dees’ 1975 song “Just Out Of My Reach” without permission. Filed September 4 by The GRC Trust on behalf of Ginn Music Group, an Atlanta-based publisher that controls Dees’ catalog, the suit centers on West’s collaboration with Vory, titled “LORD LIFT ME UP.” A comparison of the two songs reveals a marked similarity, especially in the opening seconds of Dees’ original, which West reportedly loops throughout the 2-minute, 10-second track. The suit names not only West and Vory—whose full name is Tavoris Javon Hollins—but also Yeezy LLC, highlighting the business entities tied to the release. Implications for Collaborators The lawsuit further implicates Kano Computing and its founder, Alex Klein, responsible for developing the Stem Player, the exclusive platform for streaming Donda 2. The filing asserts, “At no point did defendants obtain authorization from GRC to use the composition in connection with the infringing work. Defendants continue to exploit and receive profits from the infringing work, thereby violating GRC’s rights in this composition.” The GRC Trust is seeking both a court injunction and monetary restitution, demanding “all profits of defendants… plus all losses of GRC, plus any other monetary advantage gained by the defendants through their infringement.” The case underscores the increasing legal scrutiny artists face when sampling classic material, especially within projects distributed on unconventional platforms. The dispute coincides with anticipation surrounding West’s upcoming documentary, In Whose Name?, set to debut in select theaters. Developed over more than a year, the film examines pivotal moments in West’s life from 2018 to 2024, including his divorce from Kim Kardashian and his controversial remarks regarding antisemitism, offering an intimate look at the intersection of his personal struggles and artistic ambitions.

In hip-hop’s shifting landscape, Jay-Z still stands as one of its most enduring figures. His last solo album, 4:44, was released in 2017 to critical acclaim, but new remarks from producer Cash Cobain have stirred speculation that fresh music from the Brooklyn rapper may be on the horizon. Appearing on Billboard Unfiltered Live, Cobain suggested Jay-Z has new material in the works—music, he said, that could “shake the world.” Cobain did not hold back in praising Jay-Z’s stature in New York rap, calling him the undisputed king. “The king of New York is Jay-Z. It’s Jay-Z. Multi-platinum albums and president of Def Jam. He’s like the richest rapper, right? What didn’t he do?” he said. He added, “I heard Jay-Z is about to drop some sh*t that’s gonna shake the world. That’s what I heard.” His comments have only intensified speculation that a comeback may be underway. Hints of new music have already ignited a wave of reactions online. On X, formerly Twitter, fans voiced both humor and anticipation. “If Jay Z get on a cash beat ima really be weak but ima def need front row seats too,” one user wrote. Another suggested the resurgence of creativity in the genre—highlighted by the Clipse’s recent Let God Sort Em Out—could be pushing Jay-Z back to the studio. “THIS BETTER BE TRUE,” one fan declared, capturing the broader sense of expectation. 4:44 marked reflection—his next move could reshape rap Jay-Z’s most recent solo release, 4:44, entered the Billboard 200 at No. 1 with 262,000 album-equivalent units and was nominated for Album of the Year at the Grammys. Beyond its commercial impact, the record was celebrated for its candor, with songs like “The Story of OJ” marking one of Jay-Z’s most introspective turns. The Billboard segment also featured Zeddy Will, who named Nicki Minaj as New York’s reigning queen. “Her fanbase is still crazy to this day, and she got all the hit records. The numbers don’t lie,” he said, pointing to her back-to-back sold-out shows at Madison Square Garden. For Jay-Z, expectation is nothing new. If Cobain’s prediction proves true, his return would not only mark a new release but also add another chapter to a career that has long shaped hip-hop’s narrative. “I heard Jay-Z is about to drop some shit thats gonna shake the world that’s what I heard” -Cash Cobain pic.twitter.com/71y4Fcb1FS — Ahmed/The Ears/IG: BigBizTheGod (@big_business_) September 4, 2025

Lil Baby is preparing to release his long-awaited album, The Leaks, due Friday, September 5. The project arrives after a short delay from its original August 15 date, a postponement that has only added to the buildup. With features from Playboi Carti, Young Thug, and Lil Yachty, the Atlanta rapper is leaning on familiar collaborators to anchor what may be his most discussed release in years. The 17-song tracklist stretches wide, pulling in G Herbo, LUCKI, Veeze, Rylo Rodriguez, and Skooly. On the production side, Lil Baby has enlisted an equally heavy roster—Wheezy, Murda Beatz, TM88, and BabyWave among them—a lineup that all but guarantees a range of sounds. For the rapper, The Leaks serves as both an archival release and a chance to fold once-unfinished tracks into his official catalog. Lil Baby Turns ‘Leaks’ into a Statement Much of the conversation around the album has unfolded online, where fans have long circulated snippets of these songs. On Reddit, the idea of reclaiming leaked material has been met with enthusiasm. “It’s refreshing to see an artist embrace their unreleased material—there’s no revenue in songs that stay hidden away. As a devoted fan of Lil Baby, I’ve been enjoying many of these leaks unofficially for years,” one commenter wrote. Another pointed to “Get Along,” a posse cut featuring Lil Yachty, LUCKI, and Veeze, adding, “Track 14 has immense potential; it’s great to see a mainstream posse cut making its way into the spotlight.” The rollout, however, hasn’t been free of speculation. On the track “Otha Boy,” listeners anticipate thinly veiled jabs at Gunna and Offset, with lyrics rumored to reference Gunna’s fitness regimen. Whether those rivalries surface directly or not, the breadth of the project suggests Lil Baby is aiming to balance sharp-tongued bars with crowd-pleasing anthems. And this release may only be the beginning. In a recent live stream with PlaqueBoyMax, he confirmed more music is already lined up. “I’m actually dropping two albums, though. I’m dropping another album, like, four weeks after that, something like that. I wasn’t even planning on releasing this one,” he said—a signal that The Leaks could mark the start of an unusually prolific stretch. View this post on Instagram A post shared by @lilbaby

Montell Jordan’s music defined a generation. His 1995 debut single, “This Is How We Do It,” stormed the Billboard Hot 100 and became an anthem of celebration, still played nearly 30 years later. With follow-up hits such as “Somethin’ 4 da Honeyz” and “Let’s Ride,” Jordan secured his place in 1990s R&B. Though he later stepped away from mainstream stardom, his voice and songs never faded from memory. Now, Jordan’s story carries new significance. The singer recently revealed he battled cancer in private and has been cancer-free for one year. The announcement came not from a publicist, but during an intimate live performance at rapper LaRussell’s home in Vallejo, Calif. View this post on Instagram A post shared by Flavor Fest (@flavorfest) What began as a nostalgic evening of R&B turned into a testimony of endurance. Fans who once celebrated milestones with his music now witnessed his revelation as a declaration of faith and survival. Jordan explained that he chose to wait until the one-year mark to share his diagnosis. The decision reflected both caution and conviction. By speaking from a position of recovery, he sought to inspire hope rather than worry. His message underscored a painful truth: cancer affects nearly every family, whether through personal illness or the struggles of loved ones. Jordan’s disclosure resonated because it reflected the collective experience of resilience in the face of disease. The news sparked immediate reaction online. Fans praised his transparency, calling his survival a “testament to perseverance.” In recent years, more artists have chosen to open up about serious health challenges once kept private. Jordan’s story falls within this larger cultural shift toward vulnerability, breaking down barriers between artist and audience. His openness created a connection, reminding listeners that even music icons are not insulated from life’s harshest trials. With his recovery intact, Jordan now enters a new chapter that expands beyond his chart-topping success. His concerts and appearances carry a deeper weight, uniting his artistry with his testimony. His journey affirms that illness does not erase identity—it refines it. For Montell Jordan, the story has moved beyond 1990s nostalgia. It continues as a powerful narrative of survival, faith and renewal.

Solange reveals that while she wasn’t too confident as a songwriter in her early career days, Beyoncé never doubted her talent. On Friday (Aug.29), an X user named @PopCulture2000s shared a short clip of the music video for Beyoncé’s “Why Don’t You Love Me?” The track, which was released in 2008, appears on her third studio album, I Am…Sasha Fierce. The “Don’t Touch My Hair” singer, who is credited as a writer on the track, quoted the post, writing, “omggg tyyyy to my goat for trusting my penn way back whenn.” According to Solange, the track was created on a “very, very angsty day.” She added: “No one could have made it bang like my big sisss.” omggg tyyyy to my goat for trusting my penn way back whenn wrote this on a vry vry angsty day fed tf uppp lol and no one could have made it bang like my big sisss https://t.co/XoooHKAY8K — solange knowles (@solangeknowles) August 29, 2025 Back in May, Solange showed love to another one of her “goats,” Mariah Carey, by producing a dreamy, chopped-and-screwed remix of Carey’s 2006 single “Say Somethin’” to celebrate the 20th anniversary reissue of The Emancipation of Mimi. Ahead of the release, Solange shared her excitement on Instagram Stories, posting a throwback interview clip where she once said she had plenty of songs she’d love for Mariah to sing, if ever given the chance. She followed that up with a heartfelt note of appreciation, writing: “I love uuuu so much mom @mariahcarey tyyy so muchhh,” alongside a video of herself dancing to the track. The full Emancipation of Mimi (20th Anniversary Edition) package included more than just Solange’s remix. Fans were also treated to a Kaytranada rework, which dropped in April, and an unreleased song called “When I Feel It.”

Wale recently revealed what rappers would made his all-time list. During a conversation held at Soho Works in Brooklyn as part of the PLLRS series, presented by Little Engine Media, the Grammy-nominated rapper, accompanied by his longtime manager, Kazz Laidlaw, Wale shared his favorite MCs.  “Mt. Rushmore is a racist thing…” Wale told host Keith Nelson Jr., “But…my favorite rappers? Jay-Z. Black Thought. Lil Wayne. J. Cole.” He also listed AZ as an influence who is “super important.” View this post on Instagram A post shared by PLLRS (@thepllrs) Elsewhere in the interview, Wale also shared that the lack of support by Atlantic Records for his early Afrobeats collaborations was almost detrimental to his career. “I think it hurt me to my people a little bit. They couldn’t understand why these songs weren’t getting promoted. There’s a whole generation of people who don’t even know that I did it,” Wale explained. “A lot of these Gen Z kids don’t know that I took Wizkid to his first BET Awards. They don’t know we have about nine songs together. It was detrimental because Shine was my worst-selling album.” A known sneakerhead, Kazz spoke about how Wale was one of the first rappers to wear Anthony Edwards’s AE1 shoe on “Damage Control.” “Last year, after the AE’s, I think we caused a little bit of a storm for them. Ant was super appreciative of it, so he and his A&R approached me at the beginning of the year, like, ‘We have to get him on this album.’” He also shared his plans to develop his own signature sneaker line. “We’re going to have to draw a line at some point. We’re going to see. Hopefully it goes one way, but if it goes the other way, then it’s going to go the other way,” Wale said. “Something good is going to happen. I’m leaving here with something.”

Kendrick Lamar has reached another historic benchmark in his career, officially crossing 50 billion total streams on Spotify. With this feat, he becomes only the 14th artist in history to hit that number and just the fifth rapper to do so, joining Travis Scott, Eminem, Kanye West, and his long-standing rival, Drake. Kendrick Lamar has officially surpassed 50 BILLION streams on Spotify, making him just the 14th artist in history to do so. He reached this milestone with only 251 credited songs — the third fewest of any artist, and the fewest of any rapper. pic.twitter.com/p0o23ix8JL — NFR Podcast (@NFR_Podcasts) August 20, 2025 What makes this achievement even more remarkable is how efficiently Lamar reached it. He did so with only 251 credited songs, fewer than any of the other rappers who share the milestone. The update arrives shortly after another accomplishment, when his 2017 classic Damn passed 10 billion streams earlier this month. Across his catalog, Lamar has released six full-length albums: Section.80, Good Kid, M.A.A.D City, To Pimp a Butterfly, Damn, Mr. Morale & the Big Steppers, and GNX. Tracks that continue to dominate Spotify include “luther,” “All The Stars,” “Not Like Us,” and “Money Trees.” Each has played a part in keeping his music at the forefront of global hip hop conversations. The streaming success, however, has been shadowed by controversy. Drake is pursuing legal action against Universal Music Group, accusing the company of manipulating promotion in favor of Lamar’s hit “Not Like Us.” He claims UMG relied on “covert tactics” to push the track, which contains harsh lyrics aimed at him. On the record, Lamar raps: “Certified Lover Boy? Certified pedophiles… Why you trollin’ like a b*tch? Ain’t you tired? / Tryna strike a chord and it’s probably A minor.” While the legal battle plays out, Lamar continues to tour globally. His Grand National Tour with SZA will start again in Mexico City on September 23, followed by shows in Brazil, Colombia, Argentina, Chile, and Australia.

Lance “Un” Riverea calls cap on Fat Joe, who said he made tracks with The Notorious B.I.G. and Mary J. Blige. During an interview with The Art of Dialogue, Rivera addressed Joe’s assertion head-on, expressing skepticism and a touch of humor while firmly.  “I love Fat Joe, Fat Joe is my guy. I love the Jada & Joe show, and now I know why they’re running with the ‘Joe is the King of Cap,’” Rivera laughed. “Imma call cap, without even knowing, ’cause I don’t know for sure, but I’m calling cap […] If there was a real, legitimate album, I would’ve heard about that. I wouldn’t have heard about them doing songs,” he continued. The founder of  Untertainment Records, Rivera and Biggie, on several projects including Junior Mafia’s 1995 album The Conspiracay. So any songs featuring Fat Joe would have come across his desk. View this post on Instagram A post shared by The Art Of Dialogue (@theartofdialogue) “And I wouldn’t have heard about them doing songs together, right? Because in Daddy’s House, Big go in the studio, you could get a verse or you might not get a verse, depending on his mood and how much money you had in your pocket. He was a ‘How much weed you got on you’ type sh*t, you know what I’m saying? But I call cap off that, Joe. Show me the receipts, Fat Joe.” In an interview from 2023, Fat Joe claimed to have recorded several songs that never saw the light of day because they included disses toward Tupac.  “We made a bunch of songs, y’know what I’m sayin’?” Joe said. “But it was really disrespectful and hateful, and so [Biggie] died and 2Pac died. They might have burnt them sh*ts, to be honest with you, ’cause you know, it was distasteful after the fact.”

Ciara has first-hand experience of what it means for an artist to own their master recordings. During a recent interview with Forbes, Ciara shared how she became an independent artist and how label drama led to owning her masters. “It was also one of my greatest meetings because that propelled me to become independent, because literally he did not see the vision of what ‘Level Up’ was,” said Ciara. “I remember going downstairs to the person that was my A&R at that time his name was Monti Olson […] I’m forever grateful for him because he also believed in me when I was like eight months pregnant to sign a deal with meHe was one of the executives that were actually still at the company when the old CEO went out.” “I asked for my masters and they gave it back to me for free, so let you know how much they didn’t believe, and now ‘Level Up’ is almost three times platinum,” she continued. Betting on herself turned out to be the best decision the “Goodies”  singer ever made. The success of “Level Up” helped to launcher her independent label, Beauty Marks Entertainment, which she established in 2017. The hit song became the first release from her label and debuted at 77 on the US Billboard Hot 100 on July 31, 2018 moved to number 59 the following week. It debuted at number 10 on the US Digital Songs chart that same week, becoming Ciara’s sixth top-ten hit on the chart and first since “Love Sex Magic” in March 2009.

Mariah recently stopped by Pitchfork for a game of “Over/Under,” where she shared her opinions on everything from lab-grown diamonds and Labubus to self-driving vehicles and Crocs. However, her most surprising answer came when she shared her thoughts on the Grammy Awards. Despite having 34 nominations and 5 Grammy wins, the “Always Be My Baby” singer declared that the iconic award show and its awards are, in fact, overrated. “I think the Grammys are overrated,” she tells the outlet. “But we love everybody.” Mariah Carey Says New Album Is On The Way In other news, amid a recent interview at the 10th anniversary of Apple Music with Zane Lowe and Ebro Darden, Carey made the announcement. “I’m trying not to tell too much about the new album,” Carey said.  “It’s a special occasion/ Mimi’s emancipation- that’s a lyric from one of my songs. What is next? The album is coming out,” she continued. “I don’t wanna tell too much about it because I just don’t want to reveal the whole thing. It’s finished.”  Carey dropped the news following the release of her newest single, “Type Dangerous.” She went on to say that the track was a “heavy record” and that it has “real weight to it.” “We got some Mariah ballads,” she said, adding that a second single will be released soon. “I’m very excited about it. It’s very summery. I like the beat as well.” Sampling Eric B. and Rakim’s classic 1986 single, “Eric B. Is President”, she performed ”Type Dangerous,” alongside Rakim at the 2025 BET Awards.  “I’ve always loved ‘Eric B. Is President.’ It wasn’t something like, ‘Oh, I’m gonna flip this’- I just wouldn’t think of doing it,” she explained. “But then we were in this restaurant in Aspen, and they had different music on, and they played ‘Eric B. Is President,’ and I was like, ‘Oh my gosh! I love this song!’ We ended up in the studio a couple [of] months later and we did it.”