In a recent interview with The New York Times, JAY-Z offered measured guidance to aspiring songwriters. He emphasized the importance of perspective and lived experience in shaping creative work. Speaking about the pressures artists face to remain relevant, he suggested that authenticity cannot be manufactured. “If you’re trying to make young music and you’re not young, it’s gonna be inauthentic, and people can feel that,” he said. “You can smell it. So, the best thing anyone can do going through music is to tell their story and keep creating from that space.” To illustrate the point, he pointed to recent work by Clipse, specifically the track The Birds Don’t Sing. He described the song as an example of storytelling grounded in personal truth. He noted its emotional weight and clarity. “I love what the Clipse are doing right now and how it’s authentic to them, and they’re telling a story about their mom and dad who just passed away, and how deep that is with John Legend singing on the chorus and everything that they’ve been through,” he said. “It’s an authentic display, a piece of classic material that could’ve come out in ’96 or 2026. It still feels the same because it’s real and authentic to who they are.” “If you’re trying to make young music and you’re not young, it’s gonna be inauthentic and people can feel that.” “I love what the Clipse are doing right now and how it’s authentic to them…” — JAY-Z via The New York Timespic.twitter.com/P7C9C5uBMC — Kurrco (@Kurrco) April 28, 2026 JAY-Z’s Growth Leads a List of Defining Songwriters The conversation accompanied the publication’s feature on the 30 greatest living American songwriters, a list compiled with input from industry figures and critics. JAY-Z’s inclusion reflected not only his technical command but also the evolution of his subject matter over time. His later work, particularly 4:44, was noted for its directness. It addressed personal struggles and relationships with unusual candor. The Times described the album as “far blunter and more bruised than anything he had ever recorded.” The list also recognized a range of artists across genres, including Kendrick Lamar, Missy Elliott, and OutKast, among others. Together, the selections highlight how songwriting continues to evolve while remaining rooted in personal voice.

J. Cole has suggested that his forthcoming album, The Fall-Off, may represent a turning point in his career rather than a continuation of it. As the project approaches release, the rapper has indicated that his interests are moving away from releasing solo albums. Instead, he has expressed a growing focus on producing and contributing behind the scenes. The comments have prompted discussion about what the next phase of his work may look like. During a recent “Ask Me Anything” session with fans, Cole addressed his outlook directly. “I appreciate all the support. My love for music is authentic, and what’s truly exciting about this album is the immense inspiration I feel right now,” he said. “While I don’t foresee myself creating more albums under the ‘J. Cole’ name, my enthusiasm lies in music production.” He added, “I will continue to write and record music whenever the inspiration strikes, and I may release new tracks if I feel compelled to do so. However, The Fall-Off stands as a significant work that I won’t seek to surpass.” Cole expanded on that idea by describing a long-standing interest in collaboration. “I aspire to make beats and assist in producing for other artists, even if my input doesn’t entail creating the actual track,” he said. “Shaping someone else’s vision is a passion of mine that I haven’t fully explored, given that my focus for years has predominantly revolved around my own narrative.” He added that he believes his strengths may be better realized in a supporting role. A Pivotal Release The Fall-Off will be Cole’s seventh studio album and is scheduled for release on February 6. The project includes collaborations with Burna Boy, Erykah Badu, Future, Morray, Petey Pablo, PJ, and Tems. Industry projections cited by Talk of the Charts estimate first-week sales between 260,000 and 300,000 album-equivalent units. That performance would make it his strongest debut since KOD in 2018. Following the album’s release, Cole marked the moment with a low-key promotional effort. He traveled to North Carolina A&T University, where he sold copies of The Fall-Off directly from his car. The effort, which he referred to as a “Trunk Sale Tour,” echoed earlier moments in his career. It also reinforced his emphasis on accessibility and direct connection with listeners.

On a recent episode of the Million Dollaz Worth Of Game podcast, Lizzo reflected on the roots of hip-hop. She highlighted the genre’s struggle for recognition within a music industry long dominated by established players. Her comments offered insight into the challenges faced by Black artists, particularly around sampling—a practice central to hip-hop’s identity and creative innovation. Speaking with hosts Gillie and Wallo, Lizzo explored hip-hop’s complicated relationship with sampling. By borrowing sounds, rhythms, and melodies from existing recordings, artists have built the foundation of the genre. Yet she emphasized that copyright laws have often constrained Black creativity rather than safeguarding it. Recalling Biz Markie’s legal battles over “Alone Again,” Lizzo noted how disputes like his led to albums being pulled from stores. These actions reveal the broader consequences of restrictive sampling rules on Black musicians. Tracing the earliest pioneers of sampling to Black rappers of the 1980s and ’90s, Lizzo highlighted the ingenuity behind the practice. “They were sampling records because they didn’t have access to big studios,” she said. Many repurposed their parents’ vinyl to forge new sounds, often without formal musical training. “They were just outside, just like, ‘OK, this is just what it is.’ And then hip-hop was born, and it was this beautiful thing,” she added. This underscored the genre’s organic and innovative beginnings. Policing Black Creativity Reflecting on contemporary perceptions, Lizzo criticized the framing of sampling as theft. “The theft of it all, putting theft on Black culture, that’s the part that kind of turns me off,” she said. For her, sampling is a legitimate and essential creative practice, embedded in hip-hop’s DNA. Yet, it is often mischaracterized as criminal. She suggested that these restrictions may have racial undertones, functioning as a means to limit Black artistic expression. Fans can also expect Lizzo’s involvement on Cardi B’s forthcoming album, Am I The Drama?, set for September 19. The collaboration hints at further explorations across hip-hop, pop, and R&B. It signals the evolution of her artistry while honoring the foundational roots of the genre.

According to Billboard Canada, The Weeknd has set the record for most performances by a Canadian artist at one of Toronto’s biggest stadiums — the Rogers Centre, which also houses the Toronto Blue Jays. The singer performed four shows on his After Hours Til Dawn Tour at the Rogers Centre, which began on Thursday, August 7. The outlet also reported that he set the record for “most shows at the venue by a male solo artist on the same tour.” This trek would count as The Weeknd’s seventh concert tour. The stadium tour was in support of his fourth, fifth, and sixth studio albums: After Hours (2020), Dawn FM (2022), and Hurry Up Tomorrow (2025). This tour serves as a victory lap for the “Timeless” singer and marks the end of his Weeknd era. View this post on Instagram A post shared by NFR Podcast (@nfrpodcast) Last month, The Weeknd was awarded the ultimate honor from his hometown of Toronto by receiving the Key to the City and a citywide proclamation of “The Weeknd Weekend” from July 26-27.  Complex reported that the City of Toronto recognized” the pop star actor for his accomplishments as a singer-songwriter and producer, his enduring humanitarian efforts, and his dedication to giving back to his city.” During the private ceremony, The Weeknd was presented by Toronto Mayor Olivia Chow, who was attended by youth from West Scarborough and The Weeknd’s alma mater, Birchmount Park Collegiate Institute. “I’m deeply honored to receive the Key to the City. It feels good to be home,” The Weeknd said. “Toronto is where I found my voice, and I’m committed to helping the next generation find theirs. That’s why I’m proud to support the Boys & Girls Club of West Scarborough and my former high school, Birchmount Park, providing youth with the means to unlock their full potential.”

Is there anything that Queen Bey can’t do? Whether it’s sparking online debates or shattering Grammy records, Beyoncé has more than proven herself worthy of all her accolades. So it’s no surprise that when Billboard released its “The 75 Best R&B Artists of All Time” list, Beyoncé ranked high among her peers. Landing at No. 4 on the list, the Renaissance singer follows behind icons like Michael Jackson (No. 3), Aretha Franklin (No. 2), and Stevie Wonder (No. 1). The late, legendary, singer and diva, Whitney Houston, rounded out the group at No.5. The criteria for ranking included “vocal prowess, body of work, career longevity, industry achievements, game-changing influence, and enduring generational/cultural impact.” “Billboard’s Greatest Pop Star of the 21st Century also happens to be one of the Best R&B Artists of All Time. In fact, it’s her dedication to her R&B foundation that has helped her become one of music’s most innovative, impactful, and impressive artists,” the outlet wrote. “The 35-time Grammy-winning Houstonian first hit the Billboard charts as the lead vocalist of Destiny’s Child, the girl group in which she honed her now-signature staccato rap-singing, a vocal approach that can be heard in virtually every contemporary R&B song today.” Beyoncé has been named the #4 ‘Best R&B Singer of All-Time’ by Billboard staff. pic.twitter.com/bFcg8myACW — Pop Tingz (@ThePopTingz) June 19, 2025 Other notable artists included in the list include: James Brown (No.6), Prince (No.7), Mariah Carey (No.8), R.Kelly (No.9), and Marvin Gaye (No.10). Last December, Billboard crowned Queen Bey as the greatest pop star of the 21st century. The publication said she’s “the century’s biggest pop star based on her full 25 years of influence, evolution, and impact.” “The reasons why Beyoncé captured the top spot on our list were beyond numerous. Ranging from her 25 years of timeless albums and singles to her incalculable industry impact and influence on other artists, to her peerless raw talents as a singer and performer.” Billboard said. “Few artists this period can match her in any of the most critical basic categories of pop stardom. Commercial success, performance abilities, critical acclaim and accolades, industry influence, iconic cultural moments – and absolutely no one can equal her in all of them,” Billboard continued.

Renni Rucci is getting back in the studio. The South Carolina rapper and Love & Hip-Hop: Atlanta star announced her return to rap Monday (Sept. 28). Rucci shared an “A Day in the Life: Work Edition” vlog on Instagram. The video follows Rucci through a busy day as a mother and entertainer. She gets a manicure and pedicure before dropping her children off with babysitters. Rucci also appears as a guest during an entertainment taping. However, music remains the focus of her latest update. “I’m back in the studio on you bitches this week because I see y’all getting real comfortable around this motherfucka, like y’all really don’t know who really the ‘Carolina Queen,’” she says. View this post on Instagram Rucci’s announcement comes as her boyfriend, fellow South Carolina rapper Blacc Zacc, remains in federal custody. The couple has continued to draw attention within the state’s hip-hop scene. For Rucci, returning to recording also serves as a reminder of her place in Carolina rap. Her “Carolina Queen” declaration suggests she believes her absence has created room for other artists. South Carolina Rapper Renni Rucci Announces Rap Return While Her Boyfriend Blacc Zacc Awaits Federal Trial Her Instagram caption doubles down on that confidence. “You bitches be looking like road kill and have the audacity to speak on a bad bitchhhh?!?! These gas prices got yall losing money and yall mind. Anyway, tap in I’m back in this bitch!!!” The post combines Rucci’s personal and professional worlds. She showcases her responsibilities as a mother while preparing to resume her music career. Her return also arrives during a significant period for her relationship with Blacc Zacc. The rapper, who has built his own profile in South Carolina hip-hop, remains behind bars in federal custody. Rucci has not announced a release date for new music. She also has not revealed whether a new album, mixtape or single is coming. For now, her message is direct. Rucci says she is back in the studio and wants listeners to remember the “Carolina Queen.” The latest vlog gives fans a look at the woman behind the entertainer. It also marks the beginning of what could be a new chapter in Rucci’s rap career.

Jim Jones sits down to talk about the upcoming “Let’s Rap About It” Sneaker Ball Gala, hip-hop fashion, Wale’s emotional industry confession, and the legendary Dipset vs. The Lox Verzuz battle. In this interview, Jim Jones covers: The Let’s Rap About It Gala — The 1-year anniversary pod gala (sneaker ball edition) on October 10th. Dress up, stay fresh, and throw on exclusive kicks.Hip-hop fashion rankings — Jim names who’s really fresh in the game, from Fabolous to Lil Baby to Peezy. Wale’s viral Twitter rant — Wale opened up about the toll the music industry takes on artists. Jim gives his take: “He needs therapy,” but also relates to the struggle of staying creative, losing friends, and dealing with criticism.The Lox vs. Dipset Verzuz at Madison Square Garden — Jim breaks down why the planned Lox/Dipset tour never happened, calling Cam’ron a “hater and a sore loser” who snubbed the tour after the Verzuz loss. He also recalls catching COVID at the Garden and calls the event one of the most iconic moments in hip-hop history. The five P’s — “Proper preparation prevents poor performance.” Jim tips his hat to The Lox for being ready.

Rapper Macklemore is launching a new “Free Palestine” tour days after his removal from Ed Sheeran’s Loop Tour. The Seattle-born artist, whose real name is Benjamin Haggerty, announced the tour Thursday. He said proceeds will benefit organizations supporting Palestinians. “So, as you all know, my schedule freed up a bit,” Macklemore said while announcing the tour. View this post on Instagram The tour will begin in Dublin on October 26. Macklemore will then perform in Paris on October 29 and London on October 30. He said US dates will be announced later. The announcement follows Macklemore’s comments during a September performance in New Jersey. While opening for Sheeran, he expressed support for Palestinians and criticized the treatment of pro-Palestinian demonstrators. “A big part of the reason why I wanted to do this tour in the first place is so that I could stand up in stadiums like this and say two words that are very, very dear to my heart: Free Palestine,” Macklemore said. He later performed a song dedicated to pro-Palestinian protesters at Columbia University. Macklemore was removed from Sheeran’s tour on September 14. Sheeran later said the decision was made by the tour’s promoter, rather than by him. Rapper Macklemore Announces Free Palestine Tour With Friends Several other support acts subsequently withdrew from the tour. Macklemore addressed his departure in a statement Thursday. He said the past several weeks reflected “a collective awakening around Palestinian liberation” and raised questions about the influence of wealthy individuals on artists. “What happened to me is bigger than one artist or one stage,” he said. “When the billionaire class can decide which voices are allowed on stage and which ones are too dangerous to hear, everyone should be paying attention.” Macklemore said he spent the previous week contacting artists who have publicly supported Palestinians despite potential consequences. “But this is a moment of momentum, and there is work to be done,” he said. Billionaire stadium owner Robert Kraft has accused Macklemore of hate speech and antisemitic rhetoric concerning Israel and Gaza. Macklemore has continued to defend his support for Palestinians. His new tour will make Palestinian solidarity a central theme of his upcoming performances.

Dr. Donda West’s legacy now has a permanent place on the streets of Chicago. The late educator and mother of rapper Ye, formerly known as Kanye West, was honored Tuesday with an honorary street designation. A portion of 78th Street on Chicago’s South Side now bears the name “Dr. Donda West Way.” The designation covers 78th Street from South Shore Drive to Coles Avenue. The area sits near the West family’s former South Shore home. Ye attended the Sept. 22 ceremony and helped unveil the street sign bearing his mother’s name. The moment brought together West’s family, former colleagues, friends, community leaders and several figures from Chicago’s hip-hop scene. Among those present were Che “Rhymefest” Smith, Leonard “GLC” Harris, Don “Don C” Crawley and Warren “Really Doe” Trotter. West died in 2007 at 58 following complications associated with surgery. Nearly two decades later, speakers focused largely on the life she built before her death. Remembering Donda West Beyond Music West spent more than two decades teaching at Chicago State University. She also served as chair of the university’s English Department. During her academic career, West helped establish the Gwendolyn Brooks Center for Black Literature and Creative Writing. Chicago State professor Garrard McClendon nominated West for the honorary street designation. He also spoke during Tuesday’s ceremony. “As chair of the Department of English at Chicago State, she played a pivotal role in shaping the academic landscape of the institution,” McClendon said. Chicago Alderman Greg Mitchell, who represents the 7th Ward, also reflected on West’s influence. “Dr. Donda West was not only a scholar — she was a builder of people, a cultivator of talent, and a champion for Black creativity and intellectual excellence,” Mitchell said. The Chicago City Council proposal for “Dr. Donda West Way” was introduced in May 2024. Mitchell sponsored the honorary designation. The honor recognizes a career that extended beyond the classroom. West was also a Fulbright scholar, businesswoman and mentor. Those closest to her recalled a woman who welcomed young creatives into her home. That group included several artists who later became important figures within Chicago’s hip-hop community. Rhymefest described West as a mother figure to more people than Ye. “This is really a story about a woman who raised a community of boys,” Smith said during the ceremony. A Legacy That Lives Through Chicago For Ye, the street naming adds another public tribute to the woman whose influence has remained visible throughout his career. He named his 2021 studio album “Donda” after his mother. Her voice has also appeared throughout his music. However, Tuesday’s ceremony placed the spotlight firmly on West’s accomplishments outside her son’s fame. Friends remembered her support for Chicago’s young artists before their careers had taken shape. They also described a mentor who challenged them to think seriously about their words, choices and futures. GLC recalled West as a source of encouragement for young people growing up around her. “She made us feel limitless,” he said. West’s influence also reached generations of students through her work in higher education and Black literature. Now, Chicago residents walking through South Shore will have another reminder of that work. Signs bearing her name stand near the neighborhood where she lived, taught and helped nurture a generation of creatives. For Rhymefest, the street designation solidifies something many who knew West already understood. “I think this day really makes Donda West a Chicago institution,” he said.