According to Billboard Canada, The Weeknd has set the record for most performances by a Canadian artist at one of Toronto’s biggest stadiums — the Rogers Centre, which also houses the Toronto Blue Jays. The singer performed four shows on his After Hours Til Dawn Tour at the Rogers Centre, which began on Thursday, August 7. The outlet also reported that he set the record for “most shows at the venue by a male solo artist on the same tour.” This trek would count as The Weeknd’s seventh concert tour. The stadium tour was in support of his fourth, fifth, and sixth studio albums: After Hours (2020), Dawn FM (2022), and Hurry Up Tomorrow (2025). This tour serves as a victory lap for the “Timeless” singer and marks the end of his Weeknd era. View this post on Instagram A post shared by NFR Podcast (@nfrpodcast) Last month, The Weeknd was awarded the ultimate honor from his hometown of Toronto by receiving the Key to the City and a citywide proclamation of “The Weeknd Weekend” from July 26-27.  Complex reported that the City of Toronto recognized” the pop star actor for his accomplishments as a singer-songwriter and producer, his enduring humanitarian efforts, and his dedication to giving back to his city.” During the private ceremony, The Weeknd was presented by Toronto Mayor Olivia Chow, who was attended by youth from West Scarborough and The Weeknd’s alma mater, Birchmount Park Collegiate Institute. “I’m deeply honored to receive the Key to the City. It feels good to be home,” The Weeknd said. “Toronto is where I found my voice, and I’m committed to helping the next generation find theirs. That’s why I’m proud to support the Boys & Girls Club of West Scarborough and my former high school, Birchmount Park, providing youth with the means to unlock their full potential.”

Is there anything that Queen Bey can’t do? Whether it’s sparking online debates or shattering Grammy records, Beyoncé has more than proven herself worthy of all her accolades. So it’s no surprise that when Billboard released its “The 75 Best R&B Artists of All Time” list, Beyoncé ranked high among her peers. Landing at No. 4 on the list, the Renaissance singer follows behind icons like Michael Jackson (No. 3), Aretha Franklin (No. 2), and Stevie Wonder (No. 1). The late, legendary, singer and diva, Whitney Houston, rounded out the group at No.5. The criteria for ranking included “vocal prowess, body of work, career longevity, industry achievements, game-changing influence, and enduring generational/cultural impact.” “Billboard’s Greatest Pop Star of the 21st Century also happens to be one of the Best R&B Artists of All Time. In fact, it’s her dedication to her R&B foundation that has helped her become one of music’s most innovative, impactful, and impressive artists,” the outlet wrote. “The 35-time Grammy-winning Houstonian first hit the Billboard charts as the lead vocalist of Destiny’s Child, the girl group in which she honed her now-signature staccato rap-singing, a vocal approach that can be heard in virtually every contemporary R&B song today.” Beyoncé has been named the #4 ‘Best R&B Singer of All-Time’ by Billboard staff. pic.twitter.com/bFcg8myACW — Pop Tingz (@ThePopTingz) June 19, 2025 Other notable artists included in the list include: James Brown (No.6), Prince (No.7), Mariah Carey (No.8), R.Kelly (No.9), and Marvin Gaye (No.10). Last December, Billboard crowned Queen Bey as the greatest pop star of the 21st century. The publication said she’s “the century’s biggest pop star based on her full 25 years of influence, evolution, and impact.” “The reasons why Beyoncé captured the top spot on our list were beyond numerous. Ranging from her 25 years of timeless albums and singles to her incalculable industry impact and influence on other artists, to her peerless raw talents as a singer and performer.” Billboard said. “Few artists this period can match her in any of the most critical basic categories of pop stardom. Commercial success, performance abilities, critical acclaim and accolades, industry influence, iconic cultural moments – and absolutely no one can equal her in all of them,” Billboard continued.

Meek Mill is mapping out the next chapter of his career with unusual candor. His vision includes a new album, a book, and a short film—projects he says cannot move forward without outside investment. To get there, he has made a public appeal for $5 million. He casts the request as both a personal necessity and a broader indictment of the music industry’s financial structures. On X, Meek Mill vented frustration at record labels he argues have stifled innovation. “I need 5 million in funding for a book, album, and short film,” he wrote. “These label deals are not looking fair at all… they essentially ruined the game… but I have the potential to reboot everything!” The post doubled as a critique of entrenched industry practices. It also served as a call for alternative financing models. He went further, questioning why artists—despite generating billions for the business—struggle to secure straightforward bank loans for their projects. Meek mill Sparks Debate Over Wealth, Funding, and Creative Independence The reaction from fans was swift and divided. Some expressed skepticism, noting Meek Mill’s proximity to wealthy figures in sports and business. “Surrounded by billionaires. I’m so confused,” one user remarked. Others pointed to his history of charging significant sums for appearances, questioning why he could not bankroll the projects himself. Meek Mill countered with a blunt response. “I’m blackballed if I can’t get 5m in funding for my album, book, and short film lol,” he wrote. The remark highlighted the paradox of being both connected and constrained. His name is linked to billionaires like Michael Rubin and Robert Kraft, yet financial backing remains uncertain. Behind the back-and-forth lies a larger tension within music. The question is whether artists can shed traditional label deals and still secure the capital to innovate. For Meek Mill, the $5 million ask may be deeply personal. But for others, it underscores a more pressing question—how creative independence can truly be financed in an industry still shaped by old rules. View this post on Instagram A post shared by The Neighborhood Talk (@theneighborhoodtalk)

Jermaine Dupri stopped by HOT 97 to talk with Nessa about his new album Magic City, dropping this Friday, September 12. He reflected on being named Billboard’s Top R&B/Hip Hop Producer of the 21st Century and whether he expected to land at the top of that list. They discussed some of the biggest moments in his career, including working with Mariah Carey, Usher, Xscape, Bow Wow, and Da Brat, and what he credits his longevity to. The conversation also touched on his new album and working with Rich Homie Quan. Nessa asked him about his time at Magic City, the impact the club had on Atlanta’s music culture, the most he’s seen spent in a night and some tips on how to throw money at the strip club. They got into personal stories about his friendships with Da Brat, Mariah Carey, and Janet Jackson, and why marriage may or may not be in his future. He talked about what he learned from Quincy Jones and Ray Charles. He also shared his thoughts on the mistakes artists make today, what advice he’d give to them, and if Confessions was a true story from Usher’s life. Jermaine Dupri’s album Magic City is out this Friday, September 12.

In June 2024, Odell Beckham Jr. drew widespread attention after posting a lively video of himself driving while dancing to Drake‘s hit Family Matters. The clip showcased not only his energy but also his unwavering support for the Toronto rapper during a period of friction with Kendrick Lamar. Far from a casual fan, Beckham Jr. has emerged as a steadfast ally in the evolving dynamic between the two artists. Speaking with Jordan Rose for Complex News, Beckham Jr. reflected on the viral video and the broader context of Drake’s rivalry with Lamar. When asked about the social media reaction, which has inspired a flood of memes, he remained unfazed. “I’m not bothered at all,” he said, demonstrating confidence and self-awareness. He added, “the joke was all in good fun,” framing the moment as playful rather than provocative. Beckham Jr. Praises Drake and Kendrick Ahead of New Album Buzz Beckham Jr. also expressed admiration for both musicians, revealing a nuanced perspective. “I’ve always supported Drake,” he said. “Before the feud, I was listening to Kendrick’s music too—he’s undeniably talented. Music has been a fundamental part of my life since childhood.” His remarks underscore a respect for artistry that transcends the competitive tensions surrounding the feud. As Drake readies his ninth studio album, ICEMAN, anticipation is mounting. While the official release date has yet to be announced, early tracks like What Did I Miss and Dog House have already generated buzz. These previews suggest another defining moment in Drake’s career, and Beckham Jr.’s endorsement adds extra weight to the excitement. Odell Beckham Jr. speaks on the viral clip of him dancing to Drake’s “Family Matters” and shares his thoughts on the Kendrick Lamar / Drake beef (via @ComplexMusic / @jrosethereturn) pic.twitter.com/IiHciAZivt — Kurrco (@Kurrco) September 17, 2025

Harlem rapper Max B fueled speculation about his impending release with a September 15 Instagram comment declaring, “The Wave touches down November 9. The countdown begins.” The cryptic statement immediately drew attention, suggesting the artist’s long-anticipated return could be imminent nearly 15 years after his sentencing. Max B, born Charly Wingate, has been incarcerated since 2009. A New Jersey jury convicted him of conspiracy to commit armed robbery, kidnapping and felony murder. 54 days until Max B gets released from prison https://t.co/Hp19E646ID pic.twitter.com/RbFex1VbNE — Glock Topickz (@Glock_Topickz) September 16, 2025 He initially received a 75-year sentence, though his term was later reduced following multiple appeals and sentence modifications. Court records show that in 2019, his sentence was formally cut to 12 years, significantly advancing his potential release date. While the New Jersey Department of Corrections has not confirmed November 9 as his official release, Max B’s post indicates confidence that his term is nearing completion. Legal observers note that incarcerated individuals often receive projected release dates factoring in good behavior credits and program participation. Max B’s Release Date The rapper, known for pioneering the “Wave” style of melodic rap. He has remained musically active throughout his incarceration, releasing recordings and guest features facilitated through prison communication systems. Still, his physical return to the music industry has been described as a potential cultural turning point, particularly given his influence on mainstream artists including French Montana, Wiz Khalifa and Kanye West. Max B’s case has long attracted attention in both legal and cultural contexts. His original conviction stemmed from a 2006 robbery in Fort Lee, New Jersey. It ended in the death of one man. Prosecutors argued that Wingate orchestrated the crime, though he has consistently denied direct involvement. If released on the timeline he suggested, Max B would join a growing list of hip-hop figures whose legal battles have shaped their careers. For supporters, the prospect of a November 9 release represents not only the conclusion of a lengthy incarceration. It’s also the start of a new legal and cultural chapter. His declaration frames that date as more than a logistical milestone, casting it as both a legal resolution and a symbolic homecoming.

In June of last year, Ice Spice became embroiled in controversy after her former friend Baby Storme leaked private messages in which the Bronx rapper criticized Nicki Minaj. The revelations complicated what had appeared to be a flourishing partnership, following the success of “Princess Diana” and their modern rendition of Aqua’s “Barbie World.” As 2024 progressed, the ripple effects became more pronounced. In a candid Rolling Stone interview, Ice Spice confirmed the texts were authentic, admitting that she had described Minaj as “ungrateful” and “delusional” in a moment of frustration. Yet her sharpest disappointment was aimed at Storme. “The saddest part of the whole situation is that someone I trusted for years exploited my openness for personal gain. I feel used, basically,” she said. Business Hurdles, But Respect Holds Complicating matters further were behind-the-scenes business negotiations. Minaj had sought to formalize a deal with Ice Spice, but the rising star’s commitments to two record labels created an obstacle that neither side could easily overcome. Speaking with Keke Palmer on her podcast Baby, This Is Keke Palmer, Ice Spice reflected on the timing: “Despite my efforts to let our representatives manage the situation, it was simply the wrong time for a new deal.” Even amid these setbacks, Ice Spice has been careful to stress that her bond with Minaj remains intact. “It’s all love, as always. I still look up to her—she’s like family to me,” she said, echoing sentiments from her Rolling Stone interview: “I could have expressed my feelings better, but I have immense respect for Nicki and will always appreciate her contributions to my career and the culture.” For now, their relationship endures, tested but not broken. While the leaks sparked intense conversation among fans and the Barbz, both artists appear committed to maintaining mutual respect. The turbulence may have complicated their collaboration, but it has not erased the admiration that originally brought them together. Ice Spice speaks on how it felt working with Nicki Minaj twice and what she thinks went wrong after Nicki wanted to sign her to her label : Baby, this is Keke Palmer: https://t.co/LgvKZJ6aon https://t.co/tVImVyvSpR pic.twitter.com/up2aTvxaSN — Glock Topickz (@Glock_Topickz) September 16, 2025

A string of leaked jailhouse phone calls has thrust Young Thug back into the spotlight, revealing disparaging remarks about other artists, infidelities, and private struggles. What might have remained personal has instead spilled into public view, intensifying scrutiny of the Atlanta rapper at an already precarious moment. Young Thug moved quickly to respond. He released a seven-minute track titled Man I Miss My Dogs, a blend of apology and self-reflection that reaches across both personal and professional lines. The song suggests contrition while doubling as a bid to steady relationships unsettled by the leaks. In one of its most pointed verses, he addresses Drake directly: “Drizzy, you my brother/ You know I ain’t going against you/ I got manners/ Everything you did for the rap community can’t ban you.” The lines underscore the depth of their bond, presenting a friendship resilient enough to withstand the turbulence of his incarceration. Loyalty Within His Circle Even as public criticism swelled, Young Thug found support among those closest to him. YSL Woody recently shared a photo with Yak Gotti, both wearing “I love Young Thug” shirts—a visible gesture of loyalty. He captioned the post: “While everyone dissing bra, we in the cut like ,” Days earlier, Woody was more candid about the emotional strain, writing in a separate post: “The truth no I’m not okay after everything a n**** been through. My intentions have never been flaw even I knew sh*t. I held my composure and carried it around like it was nothing.” His words point to the quieter, often overlooked toll such controversies inflict on those standing closest to the storm. Where Young Thug’s peers land in the aftermath remains uncertain. His latest track and public contrition suggest an attempt to repair frayed connections. But in hip-hop’s unforgiving spotlight, the balance between accountability and loyalty is rarely simple—and it is a tension the rapper will continue to navigate. View this post on Instagram A post shared by Kenneth Copeland (@woody_selfmade)

A recent viral clip has reopened a conversation about how celebrity can shape the boundaries of self-expression. In a video reposted by The Neighborhood Talk, Kenny Storey (@kstorey222) argued that Chris Brown occupies an unusual cultural space—one where he can experiment freely with style and identity without having his masculinity questioned. Few male performers, Storey suggested, are granted that kind of freedom. Storey pointed to Brown’s visible choices—bright hair colors, bold piercings, and layered jewelry—as examples of an artist able to sidestep the criticism often directed at others. “Chris Brown be getting a lot of passes, bro,” Storey said, framing the singer’s career as a case study in how public perception bends for certain figures. His remarks touch on broader questions of gender, performance, and the cultural leeway afforded by fame. Brown himself brushed off the discussion with humor. “It’s just me twin,” he wrote, a response that underscored both his ease with the narrative and his comfort in identity. In doing so, he seemed to validate Storey’s point: confidence, wielded with self-possession, can turn scrutiny into part of one’s brand. Fans Rally Behind Him The debate struck a chord with fans, many of whom praised Brown’s unapologetic stance. “Anyone can do what they want when they’re secure with themselves,” one wrote. Comparisons to artists like Prince—who blurred lines of gender and style decades earlier—surfaced repeatedly, situating Brown within a lineage of performers who challenge convention. At the same time, Brown is adjusting to the realities of his first global stadium run, the “Breezy Bowl” XX tour, alongside Summer Walker and Bryson Tiller. The shows have been warmly received, but he has also fielded complaints about logistical snags, from parking to seating delays. “Hope y’all understand this is my first stadium tour,” he told fans on Instagram, stressing his commitment to ironing out the issues. He also addressed the cancellation of several meet-and-greets, citing security concerns and the need for rest. “Hope y’all understand,” he repeated, the note carrying both candor and fatigue. The exchange reflects a broader cultural tension: the balance between masculinity and self-expression, and the extent to which celebrity status reshapes those boundaries. For Brown, leaning into authenticity—and speaking directly to fans—has helped solidify his place not just as an artist, but as a figure in the ongoing debate over individuality and image in contemporary culture. View this post on Instagram A post shared by The Neighborhood Talk (@theneighborhoodtalk)

In a business where rivalries often seize the spotlight, DJ Khaled is working to push a different storyline—one built on connection and shared growth. Throughout his career, the producer has cast himself as a bridge-builder, even when tensions flare among hip-hop’s most recognizable names. That role came back into focus during a recent conversation with Fat Joe and Jadakiss, when Khaled weighed in on disputes involving Drake, Rick Ross, and Future. Earlier this year, Drake found himself caught in public friction with both Future and Rick Ross. Khaled acknowledged the rift but chose not to fan the flames, instead emphasizing the need for unity. “I’m the one out of the crew that always says ‘Yo, we don’t need that.’ We need to come together, we need love… concurrently, we must ensure that financial opportunities are not hindered.” He added, “Those are my brothers; my friendships are unquestionable,” underscoring his loyalty to all three artists. The clip quickly spread on Instagram, drawing a mix of reactions. Many praised Khaled for promoting peace, but others accused him of sidestepping weightier issues. Some pointed to his silence on global conflicts such as the war in Gaza, with one commenter joking that Khaled appeared wary of being challenged on subjects beyond music. A Longstanding Partnership with Drak Khaled’s creative bond with Drake has been one of the defining threads of his catalog. Together, they’ve produced radio fixtures like I’m On One, No New Friends, and For Free, collaborations that helped cement their chemistry. Recently, Khaled revealed that Drake would appear on two songs from his forthcoming album, Aalam of God. But after Drake responded playfully on Instagram, Khaled deleted the post—leaving fans intrigued and the details deliberately vague. That ambiguity has only fueled anticipation. In August, Khaled dropped two singles from the project: “Brother,” featuring NBA Youngboy and Post Malone, and “You Remind Me,” a dancehall-inspired track with Vybz Kartel, Buju Banton, Bounty Killer, Mavado, RoryStoneLove, and Kaylan Arnold. The album will be Khaled’s first since 2022’s God Did, a release he has framed as one of his most ambitious undertakings yet. DJ Khaled speaks on remaining neutral during rap beefs, instead focusing on unity and positivity: “I’m the one out of the crew that always says ‘Yo, we don’t need that.’ We need to come together, we need love… At the same time, we don’t wanna slow up the money.” “I love… pic.twitter.com/sWeDGa1r45 — HotNewHipHop (@HotNewHipHop) September 11, 2025